The Industrial Sonifact and the Soundscape of the Anthropocene
DOI:
https://doi.org/10.1558/jca.v1i1.119Keywords:
Sonifact, Soundscape, ArchaeoacousticsReferences
Attali, J. 1985. Noise: The Political Economy of Music. Translated by B. Massumi. Minneapolis: University of Minnesota Press.
Benjamin, J. 2013a. Sound as Artifact. (Masters Thesis, Michigan Technological University, 2013).
Benjamin, J. 2013b. “Lessons from the Kinetic Past: Repetition and Trance in Industrial Social Formation. “Paper presented at The Cultural Memory of Sound and Space: The 17th Finnish Music Researchers’ Symposium. Turku, Finland, March 13–15, 2013.
Bernhard, T. 1992. Old Masters: A Comedy. Chicago, IL: University of Chicago Press. http://dx.doi.org/10.7208/chicago/9780226074344.001.0001
Deetz, J. 1967. Invitation to Archaeology. Garden City, NY: The Natural History Press.
Devereux, P. 2001. Stone Age Soundtracks: The Acoustic Archaeology of Ancient Sites. London: Vega.
Goodman, L. 2010. “Quiet, Please: Gordon Hempton on the Search for Silence in a Noisy World.” The Sun 417. September.
Gordon, R. B. and P. M. Malone. 1994. The Texture of Industry: An Archaeological View of the Industrialization of North America. New York: Oxford University Press.
Hui, A., J. Kursell and M. W. Jackson, eds. 2013. Music, Sound and the Laboratory from 1750–1980. Osiris 28. Chicago, IL: University of Chicago Press.
Husserl, E. 1964. The Phenomenology of Internal Time-Consciousness. Translated by James Churchill. Bloomington: Indiana University Press.
Krause, B. L. 1987. “The Niche Hypothesis: How Animals Taught Us to Dance and Sing.” Available online: http://users.auth.gr/paki/files/soundscape/referances/niche.pdf, accessed May 5, 2012. Link no longer available.
Mumford, L. 1934. Technics and Civilization. New York: Harcourt, Brace and Company.
Poincaré, H. 1963. Mathematics and Science: Last Essays. New York: Dover Publications.
Rath, R. C. 2003. How Early America Sounded. Ithaca, NY: Cornell University Press.
Reznikoff, I. 2006. “The Evidence of the Use of Sound Resonance from Palaeolithic to Medieval Times.” In Archaeoacoustics, edited by C. Scarre and G. Lawson, 77–84. Cambridge: McDonald Institute for Archaeological Research.
Rickard, T. A. 1905. The Copper Mines of Lake Superior. New York: Engineering and Mining Journal.
Scarre, C. and G. Lawson, eds. 2006. Archaeoacoustics. Cambridge: McDonald Institute for Archaeological Research.
Schaeffer, P. 2012. In Search of a Concrete Music. Berkeley: University of California Press.
Schafer, R. M. 1977. The Tuning of the World. Toronto: McClelland and Stewart.
Thompson, E. 2002. The Soundscape of Modernity. Cambridge, MA: MIT Press.
Thurner, A. W. 1994. Strangers and Sojourners: A History of Michigan’s Keweenaw Peninsula. Detroit, MI: Wayne State University Press.
Witmore, C. L. 2006. “Vision, Media, Noise and the Percolation of Time.” Journal of Material Culture, 11(3): 267–292.
Benjamin, J. 2013a. Sound as Artifact. (Masters Thesis, Michigan Technological University, 2013).
Benjamin, J. 2013b. “Lessons from the Kinetic Past: Repetition and Trance in Industrial Social Formation. “Paper presented at The Cultural Memory of Sound and Space: The 17th Finnish Music Researchers’ Symposium. Turku, Finland, March 13–15, 2013.
Bernhard, T. 1992. Old Masters: A Comedy. Chicago, IL: University of Chicago Press. http://dx.doi.org/10.7208/chicago/9780226074344.001.0001
Deetz, J. 1967. Invitation to Archaeology. Garden City, NY: The Natural History Press.
Devereux, P. 2001. Stone Age Soundtracks: The Acoustic Archaeology of Ancient Sites. London: Vega.
Goodman, L. 2010. “Quiet, Please: Gordon Hempton on the Search for Silence in a Noisy World.” The Sun 417. September.
Gordon, R. B. and P. M. Malone. 1994. The Texture of Industry: An Archaeological View of the Industrialization of North America. New York: Oxford University Press.
Hui, A., J. Kursell and M. W. Jackson, eds. 2013. Music, Sound and the Laboratory from 1750–1980. Osiris 28. Chicago, IL: University of Chicago Press.
Husserl, E. 1964. The Phenomenology of Internal Time-Consciousness. Translated by James Churchill. Bloomington: Indiana University Press.
Krause, B. L. 1987. “The Niche Hypothesis: How Animals Taught Us to Dance and Sing.” Available online: http://users.auth.gr/paki/files/soundscape/referances/niche.pdf, accessed May 5, 2012. Link no longer available.
Mumford, L. 1934. Technics and Civilization. New York: Harcourt, Brace and Company.
Poincaré, H. 1963. Mathematics and Science: Last Essays. New York: Dover Publications.
Rath, R. C. 2003. How Early America Sounded. Ithaca, NY: Cornell University Press.
Reznikoff, I. 2006. “The Evidence of the Use of Sound Resonance from Palaeolithic to Medieval Times.” In Archaeoacoustics, edited by C. Scarre and G. Lawson, 77–84. Cambridge: McDonald Institute for Archaeological Research.
Rickard, T. A. 1905. The Copper Mines of Lake Superior. New York: Engineering and Mining Journal.
Scarre, C. and G. Lawson, eds. 2006. Archaeoacoustics. Cambridge: McDonald Institute for Archaeological Research.
Schaeffer, P. 2012. In Search of a Concrete Music. Berkeley: University of California Press.
Schafer, R. M. 1977. The Tuning of the World. Toronto: McClelland and Stewart.
Thompson, E. 2002. The Soundscape of Modernity. Cambridge, MA: MIT Press.
Thurner, A. W. 1994. Strangers and Sojourners: A History of Michigan’s Keweenaw Peninsula. Detroit, MI: Wayne State University Press.
Witmore, C. L. 2006. “Vision, Media, Noise and the Percolation of Time.” Journal of Material Culture, 11(3): 267–292.
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Published
2014-09-23
Issue
Section
Archaeology of the Anthropocene
How to Cite
Benjamin, J. (2014). The Industrial Sonifact and the Soundscape of the Anthropocene. Journal of Contemporary Archaeology, 1(1), 119-123. https://doi.org/10.1558/jca.v1i1.119
