'The Language of Pick-Up Artists: Online Discourses of the Seduction Industry' Daria Dayter and Sofia Rüdiger (2022)

Authors

  • Laura Filardo-Llamas Universidad de Valladolid

DOI:

https://doi.org/10.1558/genl.27558

Keywords:

book review, The Language of Pick-Up Artists, Daria Dayter, Sofia Rüdiger

Abstract

The Language of Pick-Up Artists: Online Discourses of the Seduction Industry
Daria Dayter and Sofia Rüdiger (2022)
Routledge, 217pp.

References

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Ging, Debbie (2019) Alphas, betas, and incels: theorizing the masculinities of the manosphere. Men and Masculinities 22(4): 638–657. https://doi.org/10.1177/1097184X17706401

Gülich, Elisabeth (2003) Conversational techniques used in transferring knowledge between medical experts and non-experts. Discourse Studies 5(2): 235–263. https://doi.org/10.1177/1461445603005002005

Hart, Christopher (2010) Critical Discourse Analysis and Cognitive Science: New Perspectives on Immigration Discourse. Basingstoke: Palgrave Macmillan.

Heyd, Theresa (2009) A model for describing ‘new’ and ‘old’ properties of CMC genres: The case of digital folklore. In Janet Giltrow and Dieter Stein (eds) Genres in the Internet: Issues in the Theory of Genre 239–262. Amsterdam: John Benjamins.

Hymes, Dell (1974) Foundations in Sociolinguistics: An Ethnographic Approach. Philadelphia: University of Pennsylvania Press.

Marwick, Alice E. and Caplan, Robyn (2018) Drinking male tears: Language, the manosphere, and networked harassment. Feminist Media Studies 18(4): 543–559. https://doi.org/10.1080/14680777.2018.1450568

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Published

2024-01-12

How to Cite

Filardo-Llamas, L. (2024). ’The Language of Pick-Up Artists: Online Discourses of the Seduction Industry’ Daria Dayter and Sofia Rüdiger (2022). Gender and Language, 17(4), 1-4. https://doi.org/10.1558/genl.27558