The Production of Smalt and Other Cobalt Compounds at the Blaafarveværket, Modum, Norway

Authors

  • Lasse Hermansen Bjørnland Stiftelsen Modums Blaafarveværk
  • Patrick Degryse KU Leuven
  • Nadine Schibille Institut de recherche sur les archéomatériaux, Centre Ernest-Babelon (IRAMAT-CEB), CNRS/Université d’Orléans
  • Katherine Eremin Harvard Art Museums
  • Marc Sebastian Walton M+ Museum for Visual Culture
  • Bernard Gratuze Institut de recherche sur les archéomatériaux, Centre Ernest-Babelon (IRAMAT-CEB), CNRS/Université d’Orléans
  • Dennis Braekmans Cranfield University/Leiden University
  • Andrew J. Shortland Cranfield University

DOI:

https://doi.org/10.1558/faae.26631

Keywords:

cobalt, smalt, zaffre, mining, production, Norway

Abstract

Forensic analysis of fine art and objet d’art uses accurately determined pigment compositions to confirm or deny provenance, dating and attribution. Some of the most important pigments in this respect are those associated with cobalt. The Blaafarveværket, or Blue Colour Works, based near Modum in Norway, was a producer of cobalt products (especially smalt and zaffre) during the eighteenth and nineteenth, exploiting local cobalt ores and other raw materials locally sourced and brought in from more distant areas. century. The Blue Colour Works is now a museum and study of its archive has detailed type and quantity of its production, showing that it was perhaps the most important producer of cobalt products in the early nineteenth century, and the largest mining operation in Norway. The archive gives details of the production processes for some of the products and shows that these processes changed through time. The museum preserves samples of different parts of the intermediate and end products, showing that the output was a smalt very low in manganese and zinc, with some nickel, significant iron and arsenic and relatively raised bismuth and uranium contents. REE element analysis combined with lead isotopes shows that different sources of silica were probably used, since both are quite variable, supporting archive suggestions that external sources of silica and plant ash were employed on occasions.

Author Biographies

  • Lasse Hermansen Bjørnland, Stiftelsen Modums Blaafarveværk

    Lasse Hermansen Bjørnland is working as a historian for Stiftelsen Modums Blaafarveværk – Bygdemuseet I Modum (The Foundation the Blue Colour Works in Modum – The rural museum in Modum). Bjørnland has a master’s degree in history from the University of Oslo, Norway, and is currently working on multiple projects on the Norwegian production and trade of cobalt and arsenic in the 18th and 19th century.

  • Patrick Degryse, KU Leuven

    Patrick Degryse is professor at the department of Earth and Environmental Sciences and director of the Centre for Archaeological Sciences at the Katholieke Universiteit Leuven (Belgium), and professor of Archaeometry at the faculty of Archaeology in Leiden University (the Netherlands). His main research efforts focus on the history and use of mineral resources in ancient ceramic, glass, metal and building materials production, developing geochemical techniques for characterisation and provenancing. Outside the lab he is active in several field projects in the eastern Mediterranean and the Caribbean. He teaches to archaeologists, earth scientists and engineers, and is author of over 300 scientific papers in international journals, conference proceedings and books. He was Visiting Fellow at All Souls College in Oxford, an A. von Humboldt Fellow and European Research Council Grantee.

  • Nadine Schibille, Institut de recherche sur les archéomatériaux, Centre Ernest-Babelon (IRAMAT-CEB), CNRS/Université d’Orléans

    Nadine Schibille is Directrice de recherche CNRS at the Institut de Recherche sur les ArchéoMATériaux (IRAMAT-CEB) in Orléans, France. She was the P.I. of a recently completed ERC-CoG-2014 project entitled GlassRoutes and her research interests range from the application of scientific methods to the study of ancient vitreous materials and technologies, and include questions of artistic productions and aesthetics. Her current projects focus on the production, circulation and recycling of glass in the Mediterranean and Europe in the first and early second millennium CE.

  • Katherine Eremin, Harvard Art Museums

    Dr Katherine Eremin is Patricia Cornwell Senior Conservation Scientist at the Straus Center for Conservation at Harvard Art Museums. She employs a wide range of analytical techniques to investigate the collections of Harvard Art Museums in collaboration with Curatorial staff and academics at Harvard and elsewhere.

  • Marc Sebastian Walton, M+ Museum for Visual Culture

    Dr Marc Walton is Head, Conservation and Research at the M+ Museum for Visual Culture in Hong Kong, a key leadership role developing an integrated approach to conservation for the institution. Previously Marc was at the Northwestern University / Art Institute of Chicago Center for Scientific Studies in the Arts as a Senior Scientist and Research Professor of Materials Science and Engineering.

  • Bernard Gratuze, Institut de recherche sur les archéomatériaux, Centre Ernest-Babelon (IRAMAT-CEB), CNRS/Université d’Orléans

    Bernard Gratuze is director of research at the Institut de Recherche sur les Archéomatériaux, Centre Ernest-Babelon (IRAMAT-CEB, UMR 7065, CNRS/Université d’Orléans, France). His current research focuses on the development of analytical protocols using laser ablation inductively coupled plasma mass spectrometry (LAICP-MS) for ancient glasses in order to study their production and trade from Protohistory to the modern period. He is studying glass-making processes and recipes from the beginning of the second millennium BC, with a particular interest in transition periods and the origin of raw materials such as colouring agents.

  • Dennis Braekmans, Cranfield University/Leiden University

    Dennis Braekmans is Assistant Professor in Archaeological Materials Analysis in the Department of Archaeological Sciences, Faculty of Archaeology, University of Leiden. He is interested in a wide range of ceramics ranging from Antique earthenwares to high temperature and high-tech glazed materials.

  • Andrew J. Shortland, Cranfield University

    Professor Andrew Shortland is Professor of archaeological science at Cranfield University. His expertise is in the analysis of inorganic materials, especially glass, glaze and stone, from a wide range of periods and geographical regions. His recent work has concentrated on understanding raw materials, production, distribution and use of porcelain and other high temperature glazed wares.

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Published

2024-03-27

How to Cite

Bjørnland, Lasse Hermansen, Patrick Degryse, Nadine Schibille, Katherine Eremin, Marc Sebastian Walton, Bernard Gratuze, Dennis Braekmans, and Andrew J. Shortland. 2024. “The Production of Smalt and Other Cobalt Compounds at the Blaafarveværket, Modum, Norway”. Forensic Archaeology, Anthropology and Ecology, March. https://doi.org/10.1558/faae.26631.