Queensland Literature

The Making of an Idea

Authors

  • Patrick Buckridge Queensland Studies Centre

DOI:

https://doi.org/10.1017/S1321816600000271

Keywords:

'Queensland Literature', Australian literature, national and state literary histories, social and political identities, interstate rivalry

Abstract

The idea of ‘Queensland Literature’ has a history, but a rather discontinuous one. During the present century, it has emerged sporadically at particular historical moments, rather than as a constant preoccupation, which is how the idea of an Australian literature has figured during this period. An explanation of the different profiles of national and state literary histories in the post-Federation era might begin by asking what is at stake in each case? The cultural beneficiaries of one ‘construction’ of Australian literature are different from those of other, competing constructions of Australian literature. Nationally, there are social and political identities at stake. But at the state level, for most of this century, literature seems to have been much less involved in identity politics of that kind, considerably less than one might have expected, given the ferocity of interstate rivalry in sporting and other areas.

Author Biography

  • Patrick Buckridge, Queensland Studies Centre

    PATRICK BUCKRIDGE is the Director of the Queensland Studies Centre.

References

Buckridge, Patrick (1988), ‘Intellectual Authority and Critical Traditions in Australian Literature, 1940–1975’, in Head, Brian and Walter, James eds. (1988), Intellectual Movements in Australian Society (Melbourne: Oxford University Press), pp.

Astley, Thea (1976), ‘Being a Queenslander: A Form of Literary and Geographical Conceit’, Southerly, 36, p. 263.

See, for example, Clem Christesen (1943), ‘The Meanjin “School”’, Meanjin, 2, no. 2, pp. 49–53; P.R. Stephensen (1942), ‘Queensland Culture’, Meanjin, 1, no. 6, pp. 7–8. See also Gillian Whitlock (1984), ‘Queensland – the state of the art in “the last frontier”’, Westerly, 2, pp. 85–90.

Stable, J.J. and Kirwood, A.E.M., eds. (1924), A Book of Queensland Verse (Brisbane: Queensland Book Depot), xi.

Evans, Raymond (1988), The Red Flag Riots: A Study of Intolerance (St. Lucia: UQP), pp. 22, 30–31.

Cecil Hadgraft (1959), Queensland and Its Writers (St. Lucia: University of Queensland Press), pp. 114–115.

Interview with Professor A.K. Thomson, Brisbane 1987.

Clinch, Toby A. (1982), The History of the Rockhampton Boys Grammar School, Centenary 1881–1980. (Rockhampton, Q'ld: Rockhampton Grammar School), pp. 59–75.

Kellow, Henry Arthur (1930), Queensland Poets (London: George Harrap), p. 12.

Wilde, William, Hooton, Joy and Andrews, Barry, The Oxford Companion to Australian Literature (Melbourne: Oxford University Press, 1985), p.78.

Woolf, Virginia (1971), ‘Mr Bennett and Mrs Brown’, in Collected Essays. Vol. One (London: Hogarth Press). p. 320.

Byrnes, R.S. and Vallis, Val, eds. (1959), The Queensland Centenary Anthology (London: Longmans), n.p.

Docker, John (1989), In a Critical Condition: Reading Australian Literature (Ringwood: Penguin), pp. 64–109. See also, Susan McKernan (1989), A Question of Commitment: Australian Literature in the Twenty Years After the War (Sydney: Allen & Unwin).

In treating of poetry rather than ‘literature’ or ‘writing’, Stable and Kellow were not so much dividing as epitomising the field: to all intents and purposes poetry was literature, ‘for poetry reveals much of life that in the various forms of prose remains unexpressed’. (Stable xi)

Published

1995-04-01

Issue

Section

Articles

How to Cite

Buckridge, P. (1995). Queensland Literature: The Making of an Idea. Queensland Review, 2(1), 30-41. https://doi.org/10.1017/S1321816600000271