Better ways of seeing landscapes

The 'Queensland Historical Atlas'

Authors

  • Marion Stell University of Queensland
  • Geraldine Mate Queensland Museum Network
  • Celmara Pocock University of Southern Queensland

DOI:

https://doi.org/10.1017/qre.2018.25

Keywords:

Queensland Historical Atlas, Queensland Museum, museum practice, new technology, affective interpretation frameworks

Abstract

The Queensland Historical Atlas (2010) takes a fresh approach to the atlas form by interpreting Queensland landscapes as lived, embodied and practised. As a project conceived in partnership with Queensland Museum, the Atlas brings this approach directly into museum practice. This article outlines some of the challenges of the conventional atlas form, and examines how the Queensland Historical Atlas has embraced opportunities to reinvigorate the form, including the adoption of new technology and developing new affective interpretation frameworks. Significantly, the Atlas places material culture, including historical maps, at the centre of interpretation of Queensland landscapes. Although the Atlas is not an exhibition, it creates ready-made modules available for exhibition interpretation. Each of these reflects on how Queensland is shaped by its landscapes and how, in turn, museum collections can capture the diverse landscapes of Queensland and the people who create those landscapes. As an electronic resource, the Atlas becomes a way of reconnecting cultural history and landscapes with museum collections.

Author Biographies

  • Marion Stell, University of Queensland

    Marion Stell is an Honorary Research Fellow in History at The University of Queensland and formerly Senior Curator at the National Museum of Australia, Canberra. She is a member of the Editorial Board of the Queensland Historical Atlas, produced with an Australian Research Council Linkage Grant between the Queensland Museum and The University of Queensland 2007–10.

  • Geraldine Mate, Queensland Museum Network

    Geraldine Mate is Principal Curator, History Industry and Technology at the Queensland Museum Network. She is a member of the Editorial Board of the Queensland Historical Atlas, produced with an Australian Research Council Linkage Grant between the Queensland Museum and The University of Queensland 2007–10.

  • Celmara Pocock, University of Southern Queensland

    Celmara Pocock is Senior Lecturer in Anthropology at the University of Southern Queensland and formerly Head of Cultures and Histories at the Queensland Museum. She is a member of the Editorial Board of the Queensland Historical Atlas, produced with an Australian Research Council Linkage Grant between the Queensland Museum and The University of Queensland 2007–10.

References

Bentley, Elbie 2012. ‘A historical atlas in narrative form’. Cartography and Geographic Information Science 39(4), 219–31.

Buenger, Walter L. 2011. ‘Texas: A historical atlas’. The Journal of Southern History 77(4), 936–8.

Davies, Sue M. 2010. ‘The co-production of temporary museum exhibitions’. Museum management and curatorship 25(3), 305–21.

D’Amico, Tony and Stell, Marion 1996. ‘Using an exhibition as a model, identify opportunities and issues for increased public use of information and services via the internet’. Joint Middle Management Development Program Series. Canberra: Once Only Publications.

Fischer, Norbert 2012. ‘Landscape, landscape history, and landscape theory’. In Ullrich Kockel, Máiréad Nic Craith and Jonas Frykman (eds), A companion to the anthropology of Europe. Chichester: John Wiley & Sons, pp. 322–35

Harrison, Julia 2005. ‘Shaping collaboration: Considering institutional culture’. Museum Management and Curatorship 20(3), 195–212.

Hokema, Dorothea 2015. ‘Landscape is everywhere: The construction of the term landscape by US-American laypersons’. In Diedrich Bruns, Olaf Kühne, Antje Schönwald and Simone Theile (eds), Landscape culture — culturing landscapes: The differentiated construction of landscapes. Wiesbaden: Springer: pp. 69–80.

Ingold, Tim 2000. ‘To journey along a way of life’. In The perception of the environment: Essays on livelihood, dwelling and skill. London: Routledge, pp. 219–42.

Kahn, Miriam 2000. ‘Not really Pacific voices: Politics of representation in collaborative museum exhibits’. Museum Anthropology 24(1), 57–74.

Kerr, Joan 1995. ‘Olive Ashworth biography’. Design and Art Australia Online, https://www.daao.org.au/bio/olive-ashworth/biography, accessed 28 October 2017.

Mather, Patricia 1986. A time for a museum: The history of Queensland Museum, 1862–1986. Brisbane: Queensland Museum.

Matless, David 2003. ‘Introduction: The properties of landscape’. In Kay Anderson, Mona Domosh, Steve Pile and Nigel Thrift (eds), Handbook of cultural geography. London: Sage, pp. 227–32.

Miller, Imelda 2010. ‘Australian South Sea Islanders’. Queensland Historical Atlas: Histories, cultures, landscapes, http://www.qhatlas.com.au/content/australian-south-sea-islanders, accessed 12 November 2017.

Mygind, Lærke, Hällman, Anne Kahr and Bentsen, Peter 2015. ‘Bridging gaps between intentions and realities: A review of participatory exhibition development in museums’. Museum Management and Curatorship 30(2), 117–37.

Neumann, Roderick 2011. ‘Political ecology III: Theorizing landscape’. Progress in Human Geography 35(6), 843–50.

Peers, Laura Lynn and Brown, Alison Kay 2003. Museums and source communities: A Routledge reader. London: Routledge.

Pocock, Celmara, Stell, Marion, Frost, Lucy, Crozier, Julia and Ancher, Simon 2010. Living memory and the interpretation of heritage: Developing a multimedia interactive to record and store personal stories for use in heritage interpretation and research. Gold Coast: CRC for Sustainable Tourism.

Pocock, Celmara, Stell, Marion and Mate, Geraldine 2018. ‘Raw emotion: The Living Memory module at three sites of practice’. In Laurajane Smith, Gary Campbell and Margaret Wetherell (eds), Emotion, affective practices and the past in the present. London: Routledge, pp. 283–305.

Poehls, Kerstin 2011. ‘Europe blurred: Migration, margins and the museum’. Culture Unbound 3, 337–53.

Queensland Historical Atlas 2010. http://www.qhatlas.com.au, accessed 2 September 2018.

Ryan, Simon 1996. The cartographic eye: how explorers saw Australia. Melbourne: Cambridge University Press.

Schlereth, Thomas 1992. Cultural history and material culture: Everyday life, landscapes, museums. Charlottesville, VA: University Press of Virginia.

Stell, Marion 2001. Eternity: Stories from the emotional heart of Australia. Canberra: National Museum of Australia.

Stell, Marion 2010. ‘Queensland atlas, 1865’. In Queensland Historical Atlas: histories, cultures, landscapes. http://www.qhatlas.com.au/content/first-queensland-atlas-1865, accessed 12 November 2017.

Stell, Marion, Pocock, Celmara and Ballantyne, Roy 2006. Essential Australia: Towards a thematic framework for the interpretation of cultural heritage in tourism. Gold Coast: CRC for Sustainable Tourism.

Sutherland, Duff 2014. ‘British Columbia: A new historical atlas’. BC Studies 183, 149–51.

Wadley, David 1994. ‘Reef, range and red dust: behind the Atlas of Queensland’. Australian Geographical Studies 32(1), 115–23.

Waldheim, Charles. 2016. Landscape as urbanism: A general theory. Princeton, NJ: Princeton University Press.

Wood, Denis 1987. ‘Pleasure in the idea: The atlas as narrative form’. Cartographica 24(1), 24–45.

Zeldin, Theodore 1995. An intimate history of humanity. London: Minerva.

Published

2018-12-01

Issue

Section

Museums and Engagement in Queensland: Critical Contributions to the Field

How to Cite

Stell, M., Mate, G., & Pocock, C. (2018). Better ways of seeing landscapes: The ’Queensland Historical Atlas’. Queensland Review, 25(2), 267-285. https://doi.org/10.1017/qre.2018.25