Roland Betancourt, Performing the Gospels in Byzantium: Sight, Sound, and Space in the Divine Liturgy and Gordon P. Jeanes and Bridget Nichols, editors, Lively Oracles of God: Perspectives on the Bible and Liturgy
DOI:
https://doi.org/10.1558/post.23784Keywords:
liturgy, book history, sacred textsAbstract
Roland Betancourt, Performing the Gospels in Byzantium: Sight, Sound, and Space in the Divine Liturgy. Cambridge: Cambridge University Press (2021)
Gordon P. Jeanes and Bridget Nichols, editors, Lively Oracles of God: Perspectives on the Bible and Liturgy. Collegeville, MN: Liturgical Press (2022)
References
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Gugenheim, Shoshana. 2021. “Or Hadash: Soil Regeneration Artists Making Sustainable Parchment for Hebrew Scribes.” Greensboro Contemporary Jewish Museum. 4 February. https://www.youtube.com/watch?v=oUhMb6v0DYU.
Parmenter, Dorina Miller. 2013. “The Iconic Book: The Image of the Bible in Early Christian Rituals.” In Iconic Books and Texts, edited by James W. Watts, 63–92. Bristol, CT: Equinox.
Watts, James W., ed. 2013. Iconic Books and Texts. Comparative Research on Iconic and Performative Texts. Bristol, CT: Equinox.
———. 2019. How and Why Books Matter: Essays on the Social Function of Iconic Texts. Comparative Research on Iconic and Performative Texts. Bristol: Equinox.
