“It wasn’t about Me”

Artistic Representation, Theological Representation, and Terrence McNally’s Corpus Christi

Authors

  • Megan Wines Loyola University Chicago

DOI:

https://doi.org/10.1558/post.23756

Keywords:

Terrence McNally, passion play, gay play, Corpus Christi, Jesus, theatre

Abstract

This paper uncovers how Terrence McNally’s 1998 gay passion play Corpus Christi braids together queerness and religiosity to highlight that queer people are also welcome at the “spiritual table.” By bringing together his life experiences as a gay man who grew up in Texas with the biblical passion story, McNally highlights ways in which the Bible has been weaponized against gay men specifically, while at the same time creatively retelling Jesus’s execution to undercut that weaponization.

References

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Published

2022-11-25

How to Cite

Wines, M. (2022). “It wasn’t about Me”: Artistic Representation, Theological Representation, and Terrence McNally’s Corpus Christi. Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts, 13(2), 217–234. https://doi.org/10.1558/post.23756