Vol. 6 No. 2 (2019)

Published: 2019-12-23

Editorial

Editors’ Introduction

Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett

129-132
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Articles

From Home-Studios to Mobile Phones Recent Trends in Popular Music Recording and Sharing in Papua New Guinea

Oli Wilson

133-150
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Lyrical Referencing in Australian Hip Hop

James Lewandowski-Cox

151-172
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Keynote: Party Music, Affect and the Politics of Modernity

Jocelyne Guilbault

173-192
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Reviews

Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity

Neil Deane, Elke Schuch

193-198
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Lauren Shaw, ed. 2013. Song and Social Change in Latin America

Styliani Fotopoulou

199-201
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Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music

Yair Hashachar

202-205
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Special Section

Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship

Kimberly Kattari

208-215
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Currents and Contradictions in the Ethnomusicology of Popular Music

Harris M. Berger

216-222
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Rainforest to Raves Ethnomusicological Forays into Popular Music

Jeremy Wallach

223-227
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Academia Against Popular Culture Popular Culture Against Academia

Esther Clinton

228-231
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Popular Music Studies and Interdisciplinarity

Steve Waksman

232-236
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Popular Music in the K-12 Classroom and the Quest for Education Justice

Kathryn Metz

237-242
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