Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music

Authors

  • Yair Hashachar Hebrew University of Jerusalem

DOI:

https://doi.org/10.1558/jwpm.30489

Keywords:

Afropolitain, Mali, Africa, morality, ethics

Abstract

Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music. Minneapolis: University of Minnesota Press. 240pp. ISBN 978-0-8166-9350-4 (pbk)

References

Erlmann, Veit. 1990. “Migration and Performance: Zulu Migrant Workers’ Isicathamiya Performance in South Africa, 1890–1950”. Ethnomusicology 34/2: 199–220.

Selasi, Taiye. 2005. “Bye-Bye Babar”. LIP Magazine, 3 March. http://thelip.robertsharp.co.uk/?p=76

Downloads

Published

2019-12-23

Issue

Vol. 6 No. 2 (2019)

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Hashachar, Y. (2019). Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music. Journal of World Popular Music, 6(2), 202-205. https://doi.org/10.1558/jwpm.30489