Vol. 6 No. 1

Published: 2015-01-12

Articles

Listening to Ingmar Bergman's Monsters Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf

Alexis Luko

5-30
- Requires Subscription or Fee PDF (GBP 23)
Toward a Prehistory of Film Music Hans Erdmann's Score for Nosferatu and the Idea of Modular Form

Janina Müller, Tobias Plebuch

31-48
- Requires Subscription or Fee PDF (GBP 23)
Modal Interchange and Semantic Resonance in Themes by John Williams

Tom Schneller

49-74
- Requires Subscription or Fee PDF (GBP 23)
“Shirley, Bernstein Can’t Be Serious?” Airplane! and Compositional Personas

Tim Summers

75-86
- Requires Subscription or Fee PDF (GBP 23)

Reviews

Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier

Mark Durrand

87-89
- PDF
Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York

Roger Hickman

90-92
- PDF