Introduction
From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring
DOI:
https://doi.org/10.1558/jfm.v5i1-2.7Keywords:
American music, nineteenth century music, stage, theatre entertainmentReferences
Brooks, William. 1984. Pocahontas: Her Life and Times. American Music 2, no. 4 (Winter): 19-48. http://dx.doi.org/10.2307/3051561
Mater, Julian. 1962. The American Musical Stage before 1800. New Brunswick, NJ: Rutgers University Press.
———. 1985. America’s Musical Stage: Two Hundred Years of Musical Theatre . Westport, CT: Greenwood Press.
Mayer, David. 1994. Playing Out the Empire: Ben-Hur and Other Toga Plays and Films, 1883-1908: A Critical Anthology, with additional essay by Katherine K. Preston. New York: Clarendon Press.
———. 2009.Stagestruck Filmmaker: D.W. Griffith and the American Theatre. Studies in Theatre History & Culture Series. Iowa City: University of Iowa Press.
Mayer, David and Matthew Scott, eds. 1983. Four Bars of “Agit”: Incidental Music for Victorian and Edwardian Melodrama: Authentic All-Purpose Music. London: Samuel French: Theatre Museum Victoria and Albert.
McLucas, Anne Dhu, ed. 1994. Later Melodrama in America: Monte Cristo (ca. 1883). Nineteenth-Century American Musical Theatre, 4; New York: Garland Publishers.
Pisani, Michael. 2011. Fiddling while Rome Burns: Music for Julius Caesar in New York, 1875. Paper presented at Second Bienniel North American Conference on Nineteenth-Century Music, University of Richmond, Richmond, Virginia, 8 July.
Preston, Katherine K. 1992. Music for Hire: The Work of Journeymen Musicians in Washington, DC, 1875-1900. New York: Pendragon Press.
———. 1993. Opera on the Road: Traveling Opera Companies in the United States, 1825-1860. Urbana: University of Illinois Press, PB 2001.
———, ed. 1994. David Braham: The Mulligan Guard Ball‚ and Reilly and the 400. Nineteenth-Century American Musical Theatre, 10; New York: Garland Publishers.
———. 2002. Nineteenth-Century Musical Theatre. In Cambridge Companion to the Musical, ed. Paul Laird and William Everett, 3-28. Cambridge: Cambridge University Press, republished 2007.
———. 2003. American Musical Life of the Late Nineteenth Century (Introductory Essay). American Music 23, no. 3 (Fall): 255-59.
———. 2003. Between the Cracks: The Performance of English-Language Opera in Late 19th-Century America. American Music 23, no. 3 (Fall): 349-74. http://dx.doi.org/10.2307/3250548
———. 2008. To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth Century America. The Opera Quarterly 23, no. 1: 39-65. http://dx.doi.org/10.1093/oq/kbn026
———. 2008. Notes from (the Road to the) Stage. The Opera Quarterly 23, no. 1: 103-19. http://dx.doi.org/10.1093/oq/kbn025
———. 2011. A Rarefied Art? Opera and Operatic Arias as Popular Entertainment in Late-Century Washington City. In Music, American Made: Essays in Honor of John Graziano, ed. John Koegel, 3-46. Sterling Heights, MI: Harmonie Park Press.
Rapée, Erno. 1924. Motion Picture Moods: For Pianists and Organists: A Rapid-Reference Collection of Selected Pieces, Adapted to Fifty-Two Moods and Situations. New York: G. Schrimer; reprint Arno Press, 1970.
———. 1925. Encyclopedia of Music for Pictures. New York: Belwin. Shapiro [McLucas], Anne Dhu. 1984. Action Music in American Pantomime and Melodrama, 1730-1913. American Music 2, no. 4 (Winter): 49-72.
Wannemacher, H. Jr. 1878. Collection of Melo-Dramatic Music, Containing 20 Numbers or Dramatic Cues, Such as Hurrys, Combats, Tremolos, Mysterious Music &c., &c. New York: A.M. Schacht & Co.
Mater, Julian. 1962. The American Musical Stage before 1800. New Brunswick, NJ: Rutgers University Press.
———. 1985. America’s Musical Stage: Two Hundred Years of Musical Theatre . Westport, CT: Greenwood Press.
Mayer, David. 1994. Playing Out the Empire: Ben-Hur and Other Toga Plays and Films, 1883-1908: A Critical Anthology, with additional essay by Katherine K. Preston. New York: Clarendon Press.
———. 2009.Stagestruck Filmmaker: D.W. Griffith and the American Theatre. Studies in Theatre History & Culture Series. Iowa City: University of Iowa Press.
Mayer, David and Matthew Scott, eds. 1983. Four Bars of “Agit”: Incidental Music for Victorian and Edwardian Melodrama: Authentic All-Purpose Music. London: Samuel French: Theatre Museum Victoria and Albert.
McLucas, Anne Dhu, ed. 1994. Later Melodrama in America: Monte Cristo (ca. 1883). Nineteenth-Century American Musical Theatre, 4; New York: Garland Publishers.
Pisani, Michael. 2011. Fiddling while Rome Burns: Music for Julius Caesar in New York, 1875. Paper presented at Second Bienniel North American Conference on Nineteenth-Century Music, University of Richmond, Richmond, Virginia, 8 July.
Preston, Katherine K. 1992. Music for Hire: The Work of Journeymen Musicians in Washington, DC, 1875-1900. New York: Pendragon Press.
———. 1993. Opera on the Road: Traveling Opera Companies in the United States, 1825-1860. Urbana: University of Illinois Press, PB 2001.
———, ed. 1994. David Braham: The Mulligan Guard Ball‚ and Reilly and the 400. Nineteenth-Century American Musical Theatre, 10; New York: Garland Publishers.
———. 2002. Nineteenth-Century Musical Theatre. In Cambridge Companion to the Musical, ed. Paul Laird and William Everett, 3-28. Cambridge: Cambridge University Press, republished 2007.
———. 2003. American Musical Life of the Late Nineteenth Century (Introductory Essay). American Music 23, no. 3 (Fall): 255-59.
———. 2003. Between the Cracks: The Performance of English-Language Opera in Late 19th-Century America. American Music 23, no. 3 (Fall): 349-74. http://dx.doi.org/10.2307/3250548
———. 2008. To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth Century America. The Opera Quarterly 23, no. 1: 39-65. http://dx.doi.org/10.1093/oq/kbn026
———. 2008. Notes from (the Road to the) Stage. The Opera Quarterly 23, no. 1: 103-19. http://dx.doi.org/10.1093/oq/kbn025
———. 2011. A Rarefied Art? Opera and Operatic Arias as Popular Entertainment in Late-Century Washington City. In Music, American Made: Essays in Honor of John Graziano, ed. John Koegel, 3-46. Sterling Heights, MI: Harmonie Park Press.
Rapée, Erno. 1924. Motion Picture Moods: For Pianists and Organists: A Rapid-Reference Collection of Selected Pieces, Adapted to Fifty-Two Moods and Situations. New York: G. Schrimer; reprint Arno Press, 1970.
———. 1925. Encyclopedia of Music for Pictures. New York: Belwin. Shapiro [McLucas], Anne Dhu. 1984. Action Music in American Pantomime and Melodrama, 1730-1913. American Music 2, no. 4 (Winter): 49-72.
Wannemacher, H. Jr. 1878. Collection of Melo-Dramatic Music, Containing 20 Numbers or Dramatic Cues, Such as Hurrys, Combats, Tremolos, Mysterious Music &c., &c. New York: A.M. Schacht & Co.
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Published
2013-10-31
How to Cite
Preston, K. K. (2013). Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring. Journal of Film Music, 5(1-2), 7–14. https://doi.org/10.1558/jfm.v5i1-2.7
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