The Idyllic Sublime
A Dialog on the Pastoral Style in Westerns
DOI:
https://doi.org/10.1558/jfm.v2.i2-4.251Keywords:
western pastoral tradition in film, music and the sublimeAbstract
Michael Beckerman and William H. Rosar explore, in dialogue fashion, the role of music in the Western pastoral tradition in film.
References
Bordwell, David. 1996. Contemporary film studies and the vicissitudes of grand theory. In Post-theory: Reconstructing film studies, ed. David Bordwell & Noël Carroll. Madison, WI: University of Wisconsin Press.
Dary, David. 1989. Cowboy culture: A saga of five centuries. Lawrence, KS: University Press of Kansas.
Lomax, John A. and Alan Lomax, eds. 1941. Our singing nation: A second volume of American ballads and folk songs. New York: Macmillan.
Monk, Ray. 1990. Ludwig Wittgenstein: The duty of genius. New York: Penguin Books.
Pierce, Richard. 2005. Cinema studies’ Richard Allen argues against film theory. NYU Today 19, no. 98. http://www.nyu.edu/nyutoday/article/101 (accessed 27 November 2009).
Rosar, William H. 1994. Film music and Heinz Werner’s theory of physiognomic perception. Psychomusicology 13: 154-165. Shane. 1952. Directed by George Stevens, DVD, Hollywood, CA: Paramount, 2000.
Skinner, Frank. 1950. Underscore. Los Angeles: Skinner Music Co.
Tiomkin, Dimitri. 1951. Composing for films. Films in Review 2, no. 9: 17-22.
Wagner, Richard. 1893. Opera and drama. In Richard Wagner’s prose works, Vol. 2. trans. William Ashton Ellis. London: Kegan Paul, Trench, Trübner.
Dary, David. 1989. Cowboy culture: A saga of five centuries. Lawrence, KS: University Press of Kansas.
Lomax, John A. and Alan Lomax, eds. 1941. Our singing nation: A second volume of American ballads and folk songs. New York: Macmillan.
Monk, Ray. 1990. Ludwig Wittgenstein: The duty of genius. New York: Penguin Books.
Pierce, Richard. 2005. Cinema studies’ Richard Allen argues against film theory. NYU Today 19, no. 98. http://www.nyu.edu/nyutoday/article/101 (accessed 27 November 2009).
Rosar, William H. 1994. Film music and Heinz Werner’s theory of physiognomic perception. Psychomusicology 13: 154-165. Shane. 1952. Directed by George Stevens, DVD, Hollywood, CA: Paramount, 2000.
Skinner, Frank. 1950. Underscore. Los Angeles: Skinner Music Co.
Tiomkin, Dimitri. 1951. Composing for films. Films in Review 2, no. 9: 17-22.
Wagner, Richard. 1893. Opera and drama. In Richard Wagner’s prose works, Vol. 2. trans. William Ashton Ellis. London: Kegan Paul, Trench, Trübner.
Published
2010-03-15
Issue
Section
Westerns
How to Cite
Beckerman, M., & Rosar, W. H. (2010). The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns. Journal of Film Music, 2(2-4), 251-262. https://doi.org/10.1558/jfm.v2.i2-4.251
