High Noon
Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources
DOI:
https://doi.org/10.1558/jfm.v2i2-4.225Keywords:
Dimitri Tiomkin, film scores, film musicAbstract
Legendary Hollywood composer Dimitri Tiomkin (1894-1979) represents a golden era of film, arguably an apex of the role music has played in cinematic art. His presence in films was as strong as that of the film director: for example, the font size of Tiomkin’s name in the screen credits for Red River (1948) is the same as that of director Howard Hawks. This paper explores the Russian sources of Tiomkin's High Noon.
References
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———. 1934. Yevreiskii Muzikalnui Folklor [Jewish Musical Folklore]. Kiev: Institute of Jewish Proletarian Culture, All-Ukrainian Academy of Sciences.
Bogoslovsky, Nikita Vladimirovich. 2003. Svet lyubvi. Pesni dlya golosa i fortepiano. Izdatel’stvo Kompozitor: Sankt Peterburg. [Light of Love. Songs for Voice and Piano. Composer: Saint Petersburg.]
———. Pesni sochinyayutsya tak. Sovetskii Ekran. 1970: 17. [Bogoslovsky, Nikita. 1970. “Songs are written this way.” Soviet Screen, no. 17].
Evreiskaya narodnaya pesnya. Antologiya. 1994. Izdatel’stvo Kompozitor: Sankt Peterburg. [Jewish Folk Songs. The Anthology. 1994. ed. Izaly Zemtsovsky. Translations by A. Kaplan and Yevgeny Khazdan. Composer: Saint Petersburg.]
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Rossiiskiy Gosudarstvennïy Arkhiv Literaturu i Iskusstva. Fond 998 Meierkhol’d. [RGALI, Fund 998 MEYERHOLD.]
———. Fond 2758 Straukh, delo 2163 [Fund 2758 STRAUKH, case 2163.]
Rossiiskiy Gosudarstvennuy Arkhiv Literaturu i Iskusstva. Fond 2758 Straukh, delo 2163. [RGALI, Fund 2758 STRAUKH, case 2163. War Cinema Collection No.11. On the reissuing of the Two Soldiers on 21 June, 1961]
Serov, Alexander. 1950. “Musika juzhno-russkikh pesen” [“Music of the Southern Russian Songs] In Selected articles, vol. 1. Moscow and Leningrad: Musgiz.
Slobin, Mark. 2000. Old Jewish folk music: The collections and writings of Moshe Beregovski (Judaic Traditions in Literature, Music, & Art). Syracuse, NY: Syracuse University Press.
Slonimsky, Nicolas. 1988. Perfect pitch: A life story. New York: Oxford University Press.
Tarnovsky, Konstantin. 1984. Kompozitor Nikita Bogoslovsky. Etapï Tvorcheskoy Zhizni’. Moskva, Kompozitor. [Composer Nikita Bogoslovsky: Stages of his Creative Life. Soviet Composer: Moscow.]
Taruskin, Richard. 1980. Russian Folk Melodies in The Rite of Spring. Journal of the American Musicological Society 33 (Autumn): 501-43.
———. 1997. Defining Russia Musically. Princeton, N.J.: Princeton University Press.
———. 2005. Oxford History of Western Music. vol.1. Oxford: Oxford University Press.
Teplish, Alexander. 2000-2005. Odessa, Zhemchuzhina u moray [Odessa, a Perl at the Sea]. Anthology of Odessan Folk Songs. In six volumes. Odessa: Southern Initiative.
Thomas, Tony. 1973. Music for the movies. New York: A.S. Barnes & Co.
Tiomkin, Dmitri. Please don’t hate me. Manuscript. Tiomkin Collection, USC.
———. 1972. Interview. Voice of America. In Russian. (April). http://www.voanews.com/russian/archive/2002-09/a-2002-09-22-5-1.cfm (accessed 30 June 2009).
Tsentral’nuy Gosudarstvennïy Arkhiv Literaturu i Iskusstva. Fond 3070 Yutkevich. Opis’ 1 yedinitsa 560. Moskva. [ZGALI, Fund 3070 JUTKEVITCH, unit 560. Shorthand record.]
Vinkovetsky, Aharon, Kovaner, Abba and Sinai Leichter. 1984. Anthology of Yiddish folk songs, vol. II. Israel: Scopus Publishers, Magnus Press, Hebrew University Press.
Yefimova, Marina. “Golivudskii kompozitor Dmitrii Tyomkin.” [Hollywood Composer Dmitri Tiomkin]. http://archive.svoboda.org/programs/OTB/2003/OBT.021203.asp (accessed 30 June 2009).
Zhirmunsky, Viktor. 1928. Zadachi poetiki. V sb. “Voprosu teorii literaturu. Stat’i 1916-1926”. Leningrad, Akademiya. [Zhirmunsky, Victor. 1928. “The tasks of poetics.” In: Questions of theory of literature. Leningrad: Academia.]
Zuckerman, Victor. 1957. Kamarinskaya Glinki I yeye traditsii v Russkoi muzike [Glinka’s Kamarinskaya and Its Traditions in Russian Music].Moscow: State Music Editions.
Barakov, Victor Nikolayevich. “Pochvennicheskoye dvizhenie v russkoi poezii vtoroi polovinu dvadtsatogo veka. Tipologiia I evolutsia” [The “Soil” Movement in Russian Poetry of the Second Half of the 20th Century: Typology and Evolution. Dissertation. On-line publication. http://orel3.rsl.ru/dissert/barakov_v_n/EBD_442_barakovVN1.pdf. (accessed 30 June 2009).
Behlmer, Rudy. 1982. America’s favorite movies: Behind the scenes. New York: Frederick Ungar Publishing Co.
Beregovskii, Moisei. 1938. Yevreiskie Narodnyie Pesni [Jewish Folk Songs]. Kiev.
———. 1934. Yevreiskii Muzikalnui Folklor [Jewish Musical Folklore]. Kiev: Institute of Jewish Proletarian Culture, All-Ukrainian Academy of Sciences.
Bogoslovsky, Nikita Vladimirovich. 2003. Svet lyubvi. Pesni dlya golosa i fortepiano. Izdatel’stvo Kompozitor: Sankt Peterburg. [Light of Love. Songs for Voice and Piano. Composer: Saint Petersburg.]
———. Pesni sochinyayutsya tak. Sovetskii Ekran. 1970: 17. [Bogoslovsky, Nikita. 1970. “Songs are written this way.” Soviet Screen, no. 17].
Evreiskaya narodnaya pesnya. Antologiya. 1994. Izdatel’stvo Kompozitor: Sankt Peterburg. [Jewish Folk Songs. The Anthology. 1994. ed. Izaly Zemtsovsky. Translations by A. Kaplan and Yevgeny Khazdan. Composer: Saint Petersburg.]
Kholopova, Valentina. “The Intonational Nature of Music. http://www.kholopova.ru/bibeng1.html (accessed 30 June 2009).
Kushnarev, Christofor. 1967. Articles, memoirs, and materials. Musika: Leningrad.
Nekhamkin, Ernst. “Vozrashcheniye “Oskaronostsa.” [The Return of the Oscar-holder.] 22.06.2004. http://www.sem40.ru/ourpeople/famous/11886/ (accessed 30 June 2009).
Rossiiskiy Gosudarstvennïy Arkhiv Literaturu i Iskusstva. Fond 998 Meierkhol’d. [RGALI, Fund 998 MEYERHOLD.]
———. Fond 2758 Straukh, delo 2163 [Fund 2758 STRAUKH, case 2163.]
Rossiiskiy Gosudarstvennuy Arkhiv Literaturu i Iskusstva. Fond 2758 Straukh, delo 2163. [RGALI, Fund 2758 STRAUKH, case 2163. War Cinema Collection No.11. On the reissuing of the Two Soldiers on 21 June, 1961]
Serov, Alexander. 1950. “Musika juzhno-russkikh pesen” [“Music of the Southern Russian Songs] In Selected articles, vol. 1. Moscow and Leningrad: Musgiz.
Slobin, Mark. 2000. Old Jewish folk music: The collections and writings of Moshe Beregovski (Judaic Traditions in Literature, Music, & Art). Syracuse, NY: Syracuse University Press.
Slonimsky, Nicolas. 1988. Perfect pitch: A life story. New York: Oxford University Press.
Tarnovsky, Konstantin. 1984. Kompozitor Nikita Bogoslovsky. Etapï Tvorcheskoy Zhizni’. Moskva, Kompozitor. [Composer Nikita Bogoslovsky: Stages of his Creative Life. Soviet Composer: Moscow.]
Taruskin, Richard. 1980. Russian Folk Melodies in The Rite of Spring. Journal of the American Musicological Society 33 (Autumn): 501-43.
———. 1997. Defining Russia Musically. Princeton, N.J.: Princeton University Press.
———. 2005. Oxford History of Western Music. vol.1. Oxford: Oxford University Press.
Teplish, Alexander. 2000-2005. Odessa, Zhemchuzhina u moray [Odessa, a Perl at the Sea]. Anthology of Odessan Folk Songs. In six volumes. Odessa: Southern Initiative.
Thomas, Tony. 1973. Music for the movies. New York: A.S. Barnes & Co.
Tiomkin, Dmitri. Please don’t hate me. Manuscript. Tiomkin Collection, USC.
———. 1972. Interview. Voice of America. In Russian. (April). http://www.voanews.com/russian/archive/2002-09/a-2002-09-22-5-1.cfm (accessed 30 June 2009).
Tsentral’nuy Gosudarstvennïy Arkhiv Literaturu i Iskusstva. Fond 3070 Yutkevich. Opis’ 1 yedinitsa 560. Moskva. [ZGALI, Fund 3070 JUTKEVITCH, unit 560. Shorthand record.]
Vinkovetsky, Aharon, Kovaner, Abba and Sinai Leichter. 1984. Anthology of Yiddish folk songs, vol. II. Israel: Scopus Publishers, Magnus Press, Hebrew University Press.
Yefimova, Marina. “Golivudskii kompozitor Dmitrii Tyomkin.” [Hollywood Composer Dmitri Tiomkin]. http://archive.svoboda.org/programs/OTB/2003/OBT.021203.asp (accessed 30 June 2009).
Zhirmunsky, Viktor. 1928. Zadachi poetiki. V sb. “Voprosu teorii literaturu. Stat’i 1916-1926”. Leningrad, Akademiya. [Zhirmunsky, Victor. 1928. “The tasks of poetics.” In: Questions of theory of literature. Leningrad: Academia.]
Zuckerman, Victor. 1957. Kamarinskaya Glinki I yeye traditsii v Russkoi muzike [Glinka’s Kamarinskaya and Its Traditions in Russian Music].Moscow: State Music Editions.
Published
2010-03-15
Issue
Section
Westerns
How to Cite
Khannanov, I. (2010). High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources. Journal of Film Music, 2(2-4), 225-248. https://doi.org/10.1558/jfm.v2i2-4.225