Anna Morcom, Hindi Film Songs and the Cinema Aldershot, Hampshire: Ashgate, 2007 [xii, 281 pp. ISBN 9780754651987. $44.95 (paperback)]. SOAS Musicology Series.
DOI:
https://doi.org/10.1558/jfm.31222Keywords:
Hindi film industry, Bollywood, Film musicReferences
Dwyer, Rachel and Christopher Pinney. Pleasure and the Nation: The History, Politics, and Consumption of Popular Culture in India. New Delhi: Oxford University Press, 2000.
Manuel, Peter. Cassette Culture: Popular Music and Technology in North India. Chicago: University of Chicago Press, 1993.
Morcom, Anna. Hindi Film Songs and the Cinema. Aldershot, Hampsire: Ashgate, 2007.
Morcom, Anna. "Terrains of Bollywood Dance: (Neoliberal) Capitalism and the Transformation of Cultural Economies." Ethnomusicology 59, no. 2 (2015): 288-314.
Prasad, Madhav. Ideology of the Hindi Film: A Historical Construction. Delhi: Oxford University Press, 1998.
Vasudevan, Ravi. "Addressing the Spectator of a ‘Third World' National Cinema: The Bombay ‘Social' Film of the 1940s and 1950s." Screen 36, no. 4 (1995): 305-324.
Manuel, Peter. Cassette Culture: Popular Music and Technology in North India. Chicago: University of Chicago Press, 1993.
Morcom, Anna. Hindi Film Songs and the Cinema. Aldershot, Hampsire: Ashgate, 2007.
Morcom, Anna. "Terrains of Bollywood Dance: (Neoliberal) Capitalism and the Transformation of Cultural Economies." Ethnomusicology 59, no. 2 (2015): 288-314.
Prasad, Madhav. Ideology of the Hindi Film: A Historical Construction. Delhi: Oxford University Press, 1998.
Vasudevan, Ravi. "Addressing the Spectator of a ‘Third World' National Cinema: The Bombay ‘Social' Film of the 1940s and 1950s." Screen 36, no. 4 (1995): 305-324.
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2017-05-03
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Szczepanski, B. (2017). Anna Morcom, Hindi Film Songs and the Cinema Aldershot, Hampshire: Ashgate, 2007 [xii, 281 pp. ISBN 9780754651987. $44.95 (paperback)]. SOAS Musicology Series. Journal of Film Music, 7(1), 99-100. https://doi.org/10.1558/jfm.31222