Caryl Flinn: The New German Cinema: Music, History, and the Matter of Style Berkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2]
DOI:
https://doi.org/10.1558/jfm.v1i4.448Keywords:
New German cinemaReferences
Abel, Samuel. 1996. Opera in the flesh: Sexuality in operatic performance. Boulder: Westview Press.
Adorno, Theodor. 1993. “Music, language, and composition.” Trans. Susan Gillespie. Musical Quarterly 77, no. 3, 401-14.
Benjamin, Walter. 1968. “Theses on the philosophy of history.” In Illuminations: Essays and reflections. New York: Shocken, 253-64.
Bersani, Leo, & Ulysse Dutoit. 1984. The forms of violence: Narrative in Assyrian art and modern culture. New York: Shocken.
Chion, Michel. 1994. Audio-vision: Sound on screen. Trans. Claudia Gorbman. New York: Columbia University Press.
Clément, Catherine. 1988. Opera, or the undoing of women. Trans. Betsy Wing. Minneapolis: University of Minnesota Press.
Courant, Gérard. 1982. Werner Schroeter. Paris: Goethe Institute / Cinémathèque.
Elsaesser, Thomas. 1996. Fassbinder’s Germany: History, identity, subject. Amsterdam: Amsterdam University Press.
Freud, Sigmund. 1957. “Mourning and melancholia.” In The complete psychological works of Sigmund Freud 14. Trans. James Strachey. London: Hogarth Press.
Kaes, Anton. 1989. From Hitler to Heimat: The return of history as film. Cambridge: Harvard University Press.
Laplanche, J, & J.-B. Pontalis. 1973. The language of psycho-analysis. Trans. Donald Nicholson-Smith. New York: Norton.
Leonardi, Susan, & Rebecca A. Pope. 1996. The diva’s mouth: Body, voice, prima donna politics. New Brunswick, NJ: Rutgers University Press.
Mayne, Judith. 1993. Cinema and spectatorship. New York: Routledge.
Mischterlich, Alexander and Margarethe. 1975. The inability to mourn: Principles of collective behavior. Trans. Beverley R. Placzek. New York: Grove Press.
Negt, Oskar, & Alexander Kluge. 1981. Geschichte und Eigensinn. Frankfurt am Main: Zweitausendeins.
Ravetto, Kriss. 2001. The unmaking of fascist aesthetics. Minneapolis: University of Minneosta Press.
Rich, B. Ruby. 1993. “She says, he says: The power of the narrator in modernist film politics.” In Gender and German cinema: German film history / German history on film. eds. Sandra Frieden, Rick McCormick, Viebeke Petersen. New York: Berg, 143-62.
Adorno, Theodor. 1993. “Music, language, and composition.” Trans. Susan Gillespie. Musical Quarterly 77, no. 3, 401-14.
Benjamin, Walter. 1968. “Theses on the philosophy of history.” In Illuminations: Essays and reflections. New York: Shocken, 253-64.
Bersani, Leo, & Ulysse Dutoit. 1984. The forms of violence: Narrative in Assyrian art and modern culture. New York: Shocken.
Chion, Michel. 1994. Audio-vision: Sound on screen. Trans. Claudia Gorbman. New York: Columbia University Press.
Clément, Catherine. 1988. Opera, or the undoing of women. Trans. Betsy Wing. Minneapolis: University of Minnesota Press.
Courant, Gérard. 1982. Werner Schroeter. Paris: Goethe Institute / Cinémathèque.
Elsaesser, Thomas. 1996. Fassbinder’s Germany: History, identity, subject. Amsterdam: Amsterdam University Press.
Freud, Sigmund. 1957. “Mourning and melancholia.” In The complete psychological works of Sigmund Freud 14. Trans. James Strachey. London: Hogarth Press.
Kaes, Anton. 1989. From Hitler to Heimat: The return of history as film. Cambridge: Harvard University Press.
Laplanche, J, & J.-B. Pontalis. 1973. The language of psycho-analysis. Trans. Donald Nicholson-Smith. New York: Norton.
Leonardi, Susan, & Rebecca A. Pope. 1996. The diva’s mouth: Body, voice, prima donna politics. New Brunswick, NJ: Rutgers University Press.
Mayne, Judith. 1993. Cinema and spectatorship. New York: Routledge.
Mischterlich, Alexander and Margarethe. 1975. The inability to mourn: Principles of collective behavior. Trans. Beverley R. Placzek. New York: Grove Press.
Negt, Oskar, & Alexander Kluge. 1981. Geschichte und Eigensinn. Frankfurt am Main: Zweitausendeins.
Ravetto, Kriss. 2001. The unmaking of fascist aesthetics. Minneapolis: University of Minneosta Press.
Rich, B. Ruby. 1993. “She says, he says: The power of the narrator in modernist film politics.” In Gender and German cinema: German film history / German history on film. eds. Sandra Frieden, Rick McCormick, Viebeke Petersen. New York: Berg, 143-62.
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2009-06-19
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Fenner, A. (2009). Caryl Flinn: The New German Cinema: Music, History, and the Matter of Style Berkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2]. Journal of Film Music, 1(4), 448-457. https://doi.org/10.1558/jfm.v1i4.448
