Steven C. Smith. <i>A Heart at Fire's Center: The Life and Music of Bernard Herrmann </i>

Authors

  • Richard Littlefield Equinox Publishing Ltd.

DOI:

https://doi.org/10.1558/jfm.v1i2/3.273

Keywords:

Bernard Herrmann

References

Adler, Guido. 1885. “Umfang, Methode und Ziel der Musikwissenschaft” Vierteljahrsschrift für Musikwissenschaft: 5-20.

Agawu, Kofi. 1991. Playing with signs: A semiotic interpretation of classic music. Princeton: Princeton University Press.

Bernard, Jonathan. 1987. The music of Edgard Varèse. New Haven: Yale University Press.

Brown, Royal S. 1994. Overtones and undertones: Reading film music. Berkeley: University of California Press.

Bruce, Graham. 1985. Bernard Herrmann: Film music and narrative. Ann Arbor: UMI Press.

Cogan, Robert. 1984. New images of musical sound. Cambridge: Harvard University Press.

Cogan, Robert and Pozzi Escot. 1976. Sonic design: The nature of sound and music. Englewood Cliffs, NJ: Prentice-Hall.

Cone, Edward T. 1981-82. “Schubert’s promissory note: An exercise in musical hermeneutics.” Nineteenth-Century Music 5: 231-44.

Darby, William, and Jack Du Bois. 1990. American film music. Jefferson, NC: MacFarland.

Foucault, Michel. 1973. The order of things: An archaeology of the human sciences. New York: Vintage Books.

________. 1976. The archaeology of knowledge. New York: Harper & Row.

Ginzburg, Carlo. 1980. The cheese and the worms: The cosmos of a sixteenth century miller. Baltimore: Johns Hopkins University Press.

Gorbman, Claudia. 1987. Unheard melodies: Narrative film music. Bloomington: Indiana University Press.

Kramer, Lawrence. 1990. Music as cultural practice, 1800-1900. Berkeley: University of California Press.

Nattiez, Jean-Jacques. 1990. Music and discourse: Toward a semiology of music. Princeton: Princeton University Press.

Palmer, Christopher. 1990. The composer in Hollywood. London: Boyars.

Slawson, Wayne. 1985. Sound color. Berkeley: University of California Press.

Tarasti. Eero. 1995. A theory of musical semiotics. Bloomington: Indiana University Press.

Veeser, H. Aram, ed. 1989. The new historicism. New York: Routledge.

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Published

2010-12-02

How to Cite

Littlefield, R. (2010). Steven C. Smith. <i>A Heart at Fire’s Center: The Life and Music of Bernard Herrmann </i>. Journal of Film Music, 1(2/3), 273–281. https://doi.org/10.1558/jfm.v1i2/3.273

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