Film Form and Musical Form in Bernard Hrrmann's Score to <i>Vertigo</i>

Authors

  • David Cooper Equinox Publishing Ltd.

DOI:

https://doi.org/10.1558/jfm.v1i2/3.239

Keywords:

Bernard Herrmann, Vertigo

Abstract

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Author Biography

David Cooper, Equinox Publishing Ltd.

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References

Adorno, Theodor W., and Hanns Eisler. 1947. Composing for the films. New York: OUP.

Bruce, Graham. 1985. Bernard Herrmann: Film music and narrative. Ann Arbor: UMI Research Press.

Cook, Nicholas. 1987. A guide to musical analysis. London: Oxford University Press.

Cooper, David. 2001. Bernard Herrmann’s Vertigo: A film score handbook. Westport: Greenwood Press.

Dahlhaus, Carl. 1987. Schoenberg and the new music. Cambridge: Cambridge University Press.

Herrmann, Bernard. [1989] 1998. A conversation with Bernard Herrmann. Interview by Leslie T. Zador and Gregory Rose In Film Music 1, ed. Clifford McCarty. Reprint, Los Angeles: The Film Music Society, 1998, 209-53.

Keller, Hans. 1978. “The state of the symphony: Not only Maxwell Davies.” Tempo, no.125: 8-9.

Keller, Hans. 1949. “Vaughan Williams’ Scott of the Antarctic.” The Music Review, no. 10: 138.

LaRue, Jan. 1992. Guidelines for style analysis. Warren, MI: Harmonie Park Press.

Lendvai, Erno”. 1983. The workshop of Bartók and Kodály. Budapest: Editio Musica.

Lerdahl, Fred, and Ray K. Jackendorff. 1983. A generative theory of tonal music. Cambridge, MA: The MIT Press.

Levant, Oscar. 1940. A smattering of ignorance. New York: Doubleday.

London, Kurt. 1936. Film music. London: Faber & Faber Ltd.

Narmour, Eugene. 1977. Beyond Schenkerism. Chicago: University of Chicago Press.

Nattiez, Jean-Jacques. 1990. Music and discourse: Toward a semiology of music. Princeton: Princeton University Press.

Neumeyer, David. 1998. “Tonal design and narrative in film music: Bernard Herrmann’s A Portrait of Hitch and The Trouble With Harry.” Indiana Theory Review, no. 19: 87-123.

Rosen, Charles. 1995. The romantic generation. Cambridge, MA: Harvard University Press.

Published

2010-12-02

How to Cite

Cooper, D. (2010). Film Form and Musical Form in Bernard Hrrmann’s Score to <i>Vertigo</i>. Journal of Film Music, 1(2/3), 239–248. https://doi.org/10.1558/jfm.v1i2/3.239

Issue

Section

Articles