Bernard Herrmann

The Beethoven of Film Music?


  • William H. Rosar University of California, San Diego



Bernard Herrmann


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———. 1993. Microhistory: Two or three things that I know about it. Critical Inquiry 20: 10-35.

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———. 1989. A conversation with Bernard Herrmann. Interview by Leslie T. Zador and Gregory Rose In Film Music 1. ed. Clifford McCarty. New York: Garland Publishing, Inc.

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———. 1983. Music for the monsters—Universal Pictures’ horror film scores of the thirties. The Quarterly Journal of the Library of Congress 40: 391-421.

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———. 1996. Letter to the editor. William H. Rosar on “Theory and practice in Porgy and Bess: The Gershwin-Schillinger connection,” by Paul Nauert. The Musical Quarterly 80: 182-84.

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How to Cite

Rosar, W. H. (2010). Bernard Herrmann: The Beethoven of Film Music?. Journal of Film Music, 1(2/3), 121–150.