Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00]
DOI:
https://doi.org/10.1558/jfm.v1i1.99Keywords:
music and silent filmReferences
Anderson, Gillian B. 1988. Music for silent films: 1894-1929. Washington, DC: Library of Congress.
———. 1997. The presentation of silent films, or, Music as anaesthesia. Journal of Musicology (spring): 257-95.
Anderson, Gillian B., comp. and H. Stephen Wright, ed. 1995. Film music bibliography I. Hollywood, CA: Society for the Preservation of Film Music.
Berg, S.M. 1915. Music for the picture. Moving Picture World (December 11): 2018.
Danly, Linda, ed. 1999. Hugo Friedhofer: The best years of his life: A Hollywood master of music for the movies. Lanham, MD: Scarecrow Press.
Eisler, Hanns and Theodor W. Adorno. 1947. Composing for the films. New York: Oxford University Press.
Hubbard, Preston J. 1985. Synchronized sound and movie-house musicians, 1926-29. American Music (winter): 429-41.
Krummel, D.W. and J. Geil, et al. 1981. Resources of American music history: A directory of source materials from colonial times to World War II. Urbana: University of Illinois Press.
Marks, Martin M. 1979. Film music: The materials, literature and present state of research. Notes 36, no. 2: 282-325.
McCarty, Clifford. 1972. Film composers in America: A checklist of their work. Glendale, CA: J. Valentine, 1953. Reprint, New York: Da Capo Press.
———. 2000. Film composers in America: A filmography, 1911-1970, 2nd. ed. New York: Oxford University Press.
Music for the picture. 1915. Moving Picture World. (October 16): 459.
Music for the picture. 1915. Moving Picture World. (December 4): 1824.
Smith, Catherine Parsons. 1994. ‘A distinguishing virility’: Feminism and modernism in American art music. In Cecilia reclaimed: Feminist perspectives on gender and music. eds. Susan C. Cook and Judy S. Tsou. Urbana: University of Illinois Press.
Wescott, Steven D., comp. 1985. A comprehensive bibliography of music for film and television. Detroit: Information Coordinators.
———. 1997. The presentation of silent films, or, Music as anaesthesia. Journal of Musicology (spring): 257-95.
Anderson, Gillian B., comp. and H. Stephen Wright, ed. 1995. Film music bibliography I. Hollywood, CA: Society for the Preservation of Film Music.
Berg, S.M. 1915. Music for the picture. Moving Picture World (December 11): 2018.
Danly, Linda, ed. 1999. Hugo Friedhofer: The best years of his life: A Hollywood master of music for the movies. Lanham, MD: Scarecrow Press.
Eisler, Hanns and Theodor W. Adorno. 1947. Composing for the films. New York: Oxford University Press.
Hubbard, Preston J. 1985. Synchronized sound and movie-house musicians, 1926-29. American Music (winter): 429-41.
Krummel, D.W. and J. Geil, et al. 1981. Resources of American music history: A directory of source materials from colonial times to World War II. Urbana: University of Illinois Press.
Marks, Martin M. 1979. Film music: The materials, literature and present state of research. Notes 36, no. 2: 282-325.
McCarty, Clifford. 1972. Film composers in America: A checklist of their work. Glendale, CA: J. Valentine, 1953. Reprint, New York: Da Capo Press.
———. 2000. Film composers in America: A filmography, 1911-1970, 2nd. ed. New York: Oxford University Press.
Music for the picture. 1915. Moving Picture World. (October 16): 459.
Music for the picture. 1915. Moving Picture World. (December 4): 1824.
Smith, Catherine Parsons. 1994. ‘A distinguishing virility’: Feminism and modernism in American art music. In Cecilia reclaimed: Feminist perspectives on gender and music. eds. Susan C. Cook and Judy S. Tsou. Urbana: University of Illinois Press.
Wescott, Steven D., comp. 1985. A comprehensive bibliography of music for film and television. Detroit: Information Coordinators.
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2009-06-19
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Schubert, L. (2009). Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00]. Journal of Film Music, 1(1), 99-104. https://doi.org/10.1558/jfm.v1i1.99
