Report on “John Williams, dernier des symphonistes?”

Université d’Évry, December 7–9, 2022

Authors

  • Conor Power University College Dublin

DOI:

https://doi.org/10.1558/jfm.25962

Keywords:

Conference Report, John Williams, Dernier des symphonistes, Film music, academic musicology, Jaws, Jurassic Park, Harry Potter, Steven Spielberg, Indiana Jones, Star Wars, Leitmotif, Home Alone, E.T., A.I.

Author Biography

  • Conor Power, University College Dublin

    Conor Power is a Teaching Fellow in Music Theory and Performance at the School of Music in University College Dublin. His PhD thesis, completed at Maynooth University, focused on John Williams’s American film scores, particularly their stylistic heritage and ideological resonances. He has published further articles on the music of Williams with Émergences and Cuadernos de Investigación Musical. Conor is also interested in public musicology, and has been interviewed by The Journal and the BBC, written for RTÉ Brainstorm, and lectured at the Irish Film Institute.

References

Audissino, Emilio. 2021. Film music in concert: The Pioneering role of the Boston Pops Orchestra. Cambridge: Cambridge University Press.

———. 2021. The film music of John Williams: Reviving Hollywood’s classical style. Madison: University of Wisconsin Press.

Camp, Gregory. 2017. Mickey Mouse muzak: Shaping experience musically at Walt Disney World. Journal of the Society for American Music 11, no. 1: 53-69.

Huvet, Chloé. 2022. Composer pour l’image à l’ère numérique: Star Wars d’une trilogie à l’autre. Paris: VRIN.

Knust, Martin. 2021. Fictionalizing populism: A music analysis of recent political journalist soundtracks. Mobilis in Mobile 1, no. 1: 1-11.

Lehman, Frank. Complete catalogue of the musical themes of Star Wars. Accessed March 22, 2023, https://franklehman.com/starwars.

Paré-Morin, Tristan. The John Williams Piano Collection. Accessed March 22, 2023, https://sites.google.com/view/johnwilliamspiano.

Power, Conor. 2022. Swashbucklers and femme fatales: Gender coding in John Williams’s score to Indiana Jones and the Kingdom of the Crystal Skull (2008). Cuadernos de Investigación Musical 15: 91-104.

Schneller, Tom. 2013. Modal interchange and semantic resonance in themes by John Williams. Journal of Film Music 6, no. 1: 49-74.

——— and Motazedian, Táhirih. 2017. Tugging at heartstrings: Bittersweet harmonies in the classic Hollywood love theme. Journal of Film Music 10, no. 2: 7-48.

Swanson, Stefan. 2018. Happily never after: Williams’s musical exploration of the “controversial” ending to A.I.: Artificial Intelligence. In John Williams: Music for films, television and the concert stage, ed. Emilio Audissino, 375-96. Turnhout: Brepols.

White, Dan. 2024. The music of Harry Potter and The Lord of the Rings: Sounds of home in the fantasy franchise. London: Routledge.

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Published

2024-11-01

Issue

Vol. 11 No. 1

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Power, C. (2024). Report on “John Williams, dernier des symphonistes?”: Université d’Évry, December 7–9, 2022. Journal of Film Music, 11(1), 92-95. https://doi.org/10.1558/jfm.25962