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ISSUE 9.1-2 ADVANCE ACCESS

Articles
Deflating Fascism in Max Steiner’s Score for The Most Dangerous Game
Michael Lee
An Austrian in Hollywood: Self-Plagiarism and the “Love Theme” in Max Steiner’s Music for Now, Voyager and Mildred Pierce
Charles Francis Leinberger
Cataloging Max Steiner: A Corpus Study of Film Scores
Jeff Lyon, Brent Yorgason

Reviews
Emilio Audissino, John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style
Grace Edgar
Erik Heine: James Newton Howard’s Signs: A Film Score Guide
Ben Erickson
Tobias Pontara, Andrei Tarkovsky’s Sounding Cinema: Music and Meaning from Solaris to The Sacrifice
Raymond De Luca
John Haines, Music in Films on the Middle Ages: Authenticity vs. Fantasy
Melanie Shaffer

ISSUE 10.1 ADVANCE ACCESS

Articles
Innocence and Grace Bach’s Organ Music in Ermanno Olmi’s L’albero degli zoccoli
Chiara Bertoglio
The Best Years of Our Lives: Hugo Friedhofer’s American Sound: 
Aaron J. Johnson
Hollywood’s “No Man” Leonid V. Raab (1900–1968)
N. William Snedden