Dead Religion, Live Minds

Memory and Recall of the Mithraic Bull-Slaying Scene

Authors

  • Alison B. Griffith University of Canterbury, Christ Church

DOI:

https://doi.org/10.1558/jch.v1i1.72

Keywords:

bull-slaying, cult icons, human memory, Mithras

Abstract

An experiment was conducted using undergraduate Classical Studies majors and a painted replica of the richly detailed bull-slaying icon of the Roman Mysteries of Mithras, which flourished during the 1st-4th centuries CE. There are numerous interpretations about the meaning of this iconographic scene, but scholars agree that the icon was important for communicating the tenets of the cult to its members. The experiment tested what level of explanation best facilitated long-term recall of the details and the meaning of the icon. Three groups of subjects received either 1) a narrative explanation of its constituent parts and a description that related these to constellations (a familiar concept), or 2) only a narrative explanation of the constituent parts, or 3) no explanation at all. The results show that the longer explanation supports better recall of the meaning of the icon, but that little or no explanation supports better recall of the individual details.

Author Biography

  • Alison B. Griffith, University of Canterbury, Christ Church

    Alison B. Griffith is a senior lecturer in the Department of Classics at the University of Canterbury in Christchurch, New Zealand. Her main areas of expertise are the Roman cult of Mithras, Roman religion and the topography of ancient Rome.

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Published

2014-01-23

Issue

Section

Articles

How to Cite

Griffith, A. B. (2014). Dead Religion, Live Minds: Memory and Recall of the Mithraic Bull-Slaying Scene. Journal of Cognitive Historiography, 1(1), 72-89. https://doi.org/10.1558/jch.v1i1.72