Branded Bodies

Theorizing and Visualizing Gendered Shame in Ancient Greece

Authors

  • Chiara Blanco Newcastle University

DOI:

https://doi.org/10.1558/jch.25482

Keywords:

shame, body, skin, stigma, itch, emotions, gender

Abstract

This article investigates how the emotion of shame was theorized in ancient Greece. After a discussion of the conceptualization of shame in modern times in the first part of the article, in the second part I will analyse its theorization in antiquity more specifically. I will argue that the visual component of shame, which is crucial in our modern understanding, also played a prominent role in ancient Greek theories. More precisely, shame was experienced and manifested predominantly through the skin. Alterations in complexion were conceived as the visible representation of the feeling of shame, which stigmatizes the sufferers. Likewise, the resulting itch and its obsessive nature were employed to represent mental disturbance caused by shame. Interestingly for our purpose here, shame in antiquity was a gendered emotion: different behaviours were considered shameful for men and women.

By reconsidering the conceptualization of shame in ancient Greece in light of modern psychological theories, this article will contribute to demonstrating how the use of psychological and neuroscientific studies can provide new interpretations of ancient sources on shame, with particular regard to its metaphorical source domains concerning the body.

Author Biography

  • Chiara Blanco, Newcastle University

    Chiara Blanco is a lecturer in classics at Newcastle University. She is primarily a scholar of Latin literature and medical humanities with a particular focus on Ovid, but her research interests also extend to Greek literature, Sophocles in particular. She has recently published several papers on Greek tragedy, and in particular on the interaction between early medical theories and the representation of myth on the tragic stage (e.g. ‘Heracles’ Itch: The First Case of Male Uterine Displacement in Greek Literature’, The Classical Quarterly 70 (1) 2020, 27–42; ‘The Frenzied Swallow: Philomela’s Voice in Sophocles’ Tereus’, The Classical Quarterly 73 (2) 2023, 565–578), and she is currently working on a monograph on medical theories of the body in Ovid’s Metamorphoses, which entails a discussion of medical therapies, gender, and artificial bodies in Ovid’s work (Metamorbidity: The Medical Body in Ovid’s Metamorphoses, forthcoming Liverpool University Press).

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Published

2024-12-30

How to Cite

Blanco, C. (2024). Branded Bodies: Theorizing and Visualizing Gendered Shame in Ancient Greece. Journal of Cognitive Historiography, 9(1), 30-50. https://doi.org/10.1558/jch.25482