Vol. 8 No. 1-2 (2014)

Published: 2015-06-16

Editorial

Editorial Jazz in Australasia

Bruce Johnson

5-22
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Articles

Demons of discord down under ‘Jump Jim Crow’ and ‘Australia’s first jazz band’

John Whiteoak

23-51
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Early jazz in Australia as oriental exotica

Aline Scott-Maxwell

52-70
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Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s

Aleisha Ward

71-90
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The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade

Bruce Clunies Ross

91-110
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Cuba Street parade Identity, authenticity and self-expression in contemporary Australasian jazz scenes

Nick Tipping

111-125
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The lost history of jazz on early Australian popular music television

Liz Giuffre

126-143
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Shotgun weddings and bohemian dreams Jazz, family values and storytelling in Australian film

Christopher Coady

144-162
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Perspectives on the Melbourne International Women's Jazz Festival

Louise Denson

163-181
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‘A tale of five festivals’ Exploring the cultural intermediary function of Australian jazz festivals

Brent Keogh

182-201
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‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer

Karl Neuenfeldt

202-222
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Examining the legend and music of Australian saxophonist, Frank Smith

Ralph Whiteoak

223-237
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Lydia in Oz The reception of George Russell in 1960s Australia

Pierre-Emmanuel Seguin

238-256
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Expressive identity in the voices of three Australian saxophonists McGann, Sanders and Gorman

Sandy Evans

257-276
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Sex and the sonic smorgasbord The Necks—extending the ‘jazz’ piano trio format

Jane Galbraith

277-295
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Vol. 8 No. 1-2 (2014)

Editorial

Editorial Jazz in Australasia

Articles

Demons of discord down under ‘Jump Jim Crow’ and ‘Australia’s first jazz band’

Early jazz in Australia as oriental exotica

Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s

The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade

Cuba Street parade Identity, authenticity and self-expression in contemporary Australasian jazz scenes

The lost history of jazz on early Australian popular music television

Shotgun weddings and bohemian dreams Jazz, family values and storytelling in Australian film

Perspectives on the Melbourne International Women's Jazz Festival

‘A tale of five festivals’ Exploring the cultural intermediary function of Australian jazz festivals

‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer

Examining the legend and music of Australian saxophonist, Frank Smith

Lydia in Oz The reception of George Russell in 1960s Australia

Expressive identity in the voices of three Australian saxophonists McGann, Sanders and Gorman

Sex and the sonic smorgasbord The Necks—extending the ‘jazz’ piano trio format

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