Editorial

Akomfrah, J. (1996) The Last Angel of History. New York: First Run/Icarus Films.

Baudrillard, J. (1994) The Illusion of the End. Stanford, CA: Stanford University Press.

Dery, M. (1994) ‘Black to the Future’. In Flame Wars: The Discourse of Cyberculture, ed. M. Dery, 179–222. Durham, NC: Duke University Press.

Eshun, K. (1998) More Brilliant than the Sun: Adventures in Sonic Fiction. London: Quartet Books. https://doi.org/10.1017/CBO9781107415324.004

Fukuyama, F. (1989) ‘The End of History?’ The National Interest 16 (Summer). https://www.jstor.org/stable/24027184

Gibson, W. (2021) ‘Aesthetics, Verisimilitude and User Engagement: Reporting Findings through Fictional Accounts in Qualitative Inquiry’. Qualitative Research 21/5: 650–66. https://doi.org/10.1177/1468794120925769

Harper, A. (2018) ‘Sound Creates Reality: Sonic Fiction’. Norient Sound, April. https://norient.com/stories/sonicfiction

McLuhan, M. (1964) Understanding Media: The Extensions of Man. New York: McGraw-Hill. https://doi.org/10.2307/2711172

Schulze, H. (2020) ‘Extradition: What Is Sonic Fiction?’ In Sonic Fiction, 1st ed., 647–57. New York: Bloomsbury Academic. https://doi.org/10.5040/9781501334825.ch-001

Sun Ra and his Intergalactic Solar Arkestra (1974) Space Is the Place. New York: Plexifilm.

Womack, Y. (2013) Afrofuturism: The World of Black Sci-Fi and Fantasy Culture / Ytasha L. Womack. 1st edn. Chicago: Chicago Review Press.