Amy: Beyond the Stage

Authors

  • Leanne Weston University of Warwick

DOI:

https://doi.org/10.1558/jazz.24224

Keywords:

Amy winehouse, stardom, exhibition, music, jazz, posthumous stardom

Abstract

Amy: Beyond the Stage, Design Museum, London, 26 November 2021–10 April 2022

References

Andrews, H. (2017) ‘From Unwilling Celebrity to Authored Icon: Reading Amy (Kapadia, 2015)’. Celebrity Studies 8/2: 351–54. https://doi.org/10.1080/19392397.2017.1311634

Huyssen, A. (2003) Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford, CA: Stanford University Press.

Huyssen, A. (2016) ‘Memory Things and Their Temporality’. Memory Studies 9/1: 107–10. https://doi.org/10.1177/1750698015613977

Luke Halls Studio. (2021) ‘Amy Winehouse Beyond the Stage’. https://lukehalls.com/works/amy-winehouse-beyond-the-stage/

Polaschek, B. (2018) ‘The Dissonant Personas of a Female Celebrity: Amy and the Public Self of Amy Winehouse’. Celebrity Studies 9/1: 17–33. https://doi.org/10.1080/19392397.2017.1321490

Steinem, G. (2013 [1986]) Marilyn: Norma Jeane. New York: Open Road Media. Ebook.

Studio Moross. (2021) ‘“Finale” Amy Beyond the Stage Exhibition’. https://www.studiomoross.com/projects/finale-amy-beyond-the-stage-exhibition/

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Published

2022-12-20

How to Cite

Weston, L. (2022). Amy: Beyond the Stage. Jazz Research Journal, 15(1-2), 153–159. https://doi.org/10.1558/jazz.24224