Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008.

Authors

  • Lindelwa Dalamba University of the Witwatersrand, Johannesburg

DOI:

https://doi.org/10.1558/jazz.v6i1.89

Keywords:

Europe, gender, jazz, new jazz studies, UK, US

References

Allen, L. (2000) ‘Representation, Gender and Women in Black South African Popular Music, 1948–1960’. PhD dissertation, University of Cambridge.

Attrep, Kara A. (2008) ‘Book Review: Big Ears: Listening for Gender in Jazz Studies’. Critical Studies in Improvisation/Études critiques en improvisation 4, no. 2, http://www.criticalimprov.com/article/viewArticle/970/1406

Ballantine, C. (2000) ‘Gender, Migrancy, and South African Popular Music in the Late 1940s and the 1950s’. Ethnomusicology 44, no. 3: 376–407. http://dx.doi.org/10.2307/852491

Felski, R. (1995) The Gender of Modernity. Cambridge, MA: Harvard University Press.

O’Meally, Robert G., Brent Hayes Edwards, and Farah Jasmine Griffin, eds. (2004) Uptown Conversation: The New Jazz Studies. New York: Columbia University Press.

Tucker, S. (2005) ‘Deconstructing the Jazz Tradition: The “Subjectless Subject” of New Jazz Studies’. The Source 2: 31–46.

Published

2013-04-19

How to Cite

Dalamba, L. (2013). Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. Jazz Research Journal, 6(1), 89–101. https://doi.org/10.1558/jazz.v6i1.89

Issue

Section

Review article