Becoming a follower of the Merseysippi Jazz Band
An approach from ethnography, autoethnography and social world analysis—a study in resocialization
DOI:
https://doi.org/10.1558/jazz.v9i1.21250Keywords:
Autoethnography, Social Worlds, New Orleans jazz, Merseysippi Jazz BandAbstract
This article is a study in the interrelations between ethnography, autoethnography and social world analysis as applied to a musical event – a weekly jazz residency – attended by the elderly. It illustrates the ‘dying embers’ of New Orleans revivalist jazz in the UK with reference to the author’s resocialisation into ‘classic’ New Orleans revivalist jazz by members of Liverpool’s Merseysippi Jazz Band, the longest established New Orleans revivalist jazz band in the UK.
References
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Anon (2010) ‘George Webb: Obituary’. Daily Telegraph, 14 March. http://www.telegraph.co.uk/news/obituaries/7442993/George-Webb.html (accessed 23 September 2014).
Atkinson, P., and M. Hammersley (1994) ‘Ethnography and Participant Observation’. In Handbook of Qualitative Research, ed. N. K. Denzin and Y. S. Lincoln, 248–61. California: Sage Publications.
Barber, Chris, with Alyn Shipton (2014) Jazz Me Blues: The Autobiography of Chris Barber. Sheffield: Equinox.
Becker, Howard S. (2008) [1982] Art Worlds, 25th anniversary ed. Berkeley: University of California Press.
Bell, Graeme (2008) ‘The Historical Prague and Paris Recordings, 1947–48’. Audio CD by Graeme Bell and his Australian Jazz Band.
Bennett, Andy (2001) ‘Whose Generation? Youth, Music and Nostalgia’. In Andy Bennett, Cultures of Popular Music, 152–62. Maidenhead: Open University Press.
Bielderman, Gerard (2009a) ‘Band History’ © West Coast Entertainments Ltd. In Merseysisppi Jazz Band Discography, 3–7. Zwolle, The Netherlands: Gerard Bielderman.
——(2009b) ‘Band Personnel 1949–2009’. In Merseysippi Jazz Band Discography, 21. Zwolle, the Netherlands: Gerard Bielderman.
——(2009c) Merseysippi Jazz Band Discography. Zwolle, the Netherlands: Gerard Bielderman.
Blumer, Herbert (1969) Symbolic Interactionism: Perspective and Method. Englewood Cliffs, NJ: Prentice Hall.
Boulton, David (1958) Jazz in Britain. London: W.H. Allen.
Carr, Ian, Digby Fairweather and Brian Priestley (1987) ‘Revivalism’. In idem, Jazz: The Essential Companion. London: Grafton Books.
Carter, William (1991) Preservation Hall: Music from the Heart. New York: W.W. Norton.
Clarke, Adele C. (2005) Situational Analysis: Grounded Theory after the Postmodern Turn. Thousand Oaks, CA: Sage.
Cohen, Sara (1993) ‘Ethnography and Popular Music Studies’. Popular Music 12: 123–38. http://dx.doi.org/10.1017/S0261143000005511
Cohen, Stanley (2002) Folk Devils and Moral Panics, 30th anniversary ed. London: Routledge.
Colyer, Ken (2009) [1989] When Dreams are in Dust: The Path of a Jazzman, newly restored ed. London: Ken Colyer Trust.
Dixson, Dave (2011) ‘Don Lydiatt, 12th Jan 1927 – 30th Nov 2011’, http://www.jazznorthwest.co.uk/donlyd.htm.
Ekins, Richard (1978) ‘G.H. Mead: Contributions to a Philosophy of Sociological Knowledge’. Unpublished PhD dissertation, University of London.
——(1997) Male Femaling: A Grounded Theory Approach to Cross-Dressing and Sex-Changing. London: Routledge.
——(2005–2009) Booklets, variously 12pp and 16pp, accompanying 504/La Croix Records, CD91, 92, 93, 94, 95, and 96—‘The Lord Richard New Orleans Sessions: Vols. 1-6’. http://www.lacroixrecords.com (accessed 23 September 2014).
——(2009) ‘Bob Wallis on Authenticity and the New Orleans Jazz Revival in Britain’. Just Jazz 138 (October): 22–27.
——(2010) ‘Traditional Jazz and the Mainstreaming of Authenticity: The Case of British Traddy Pop (1959–1963)—A Grounded Theory Approach’. Popular Music History 5: 125–50.
——(2012) ‘Authenticity as Authenticating—The Case of New Orleans Jazz Revivalism: An Approach from Grounded Theory and Social World Analysis’. Popular Music History 7: 24–52.
——(2013) ‘The Social Construction of a Music Mecca: “Goin’ Home”, New Orleans and International New Orleans Jazz Revivalism’. Popular Music History 8: 29–45.
Ekins, Richard, and Dave King (2006) The Transgender Phenomenon. London: Sage.
——(2010) ‘The Emergence of New Transgendering Identities in the Age of the Internet’. In Transgender Identities: Towards a Social Analysis of Gender Diversity, ed. Sally Hines and Tam Sanger, 25–42. New York: Routledge.
Ellis, C., and A. Bochner (2000) ‘Autoethnography, Personal Narrative, Reflexivity: Researcher as Subject’. In Handbook of Qualitative Research, 2nd ed., ed. Norman K. Denzin and Y. S. Lincoln, 733–68. Thousand Oaks, CA: Sage.
Fairley, Jan, and Murray Forman, eds. (2012) ‘As Time Goes By: Music, Dancing and Ageing’. Popular Music (special issue) 31/2.
Finnegan, Ruth (2007) The Hidden Musicians: Music-Making in an English Town. Middletown, CT: Wesleyan University Press.
Frith, Simon (1988) ‘Playing with Real Feeling—Jazz and Surburbia’. In Frith, Music for Pleasure: Essays in the Sociology of Pop, 45–63. Cambridge: Polity Press.
Gelly, Dave (2014) An Unholy Row: Jazz in Britain and its Audience, 1945–1960. Sheffield: Equinox.
Glaser, Barney F. (1978) Theoretical Sensitivity: Advances in the Methodology of Grounded Theory. Mills Valley, CA: Sociology Press.
Godbolt, Jim (1989) A History of Jazz in Britain, 1950–1970. London: Quartet Books.
Goggin, Jim, and Peter Clute (1994) The Great Jazz Revival, with an introduction by Philip Elwood. San Rafael, CA: Donna Ewald.
Goodey, Brian R. (1968) ‘New Orleans to London: Twenty Years of the New Orleans Jazz Revival in Britain’. Journal of Popular Culture 2/2: 173–94. http://dx.doi.org/10.1111/j.0022-3840.1968.0202_173.x
Hadlock, Richard (2000) ‘The New Orleans Revival’. In The Oxford Companion to Jazz, ed. Bill Kirchner, 305–315. Oxford: Oxford University Press.
Hammersley, Martyn, and Paul Atkinson (2007) Ethnography: Principles in Practice, 3rd ed. Abingdon: Taylor & Francis.
Hazeldine, Mike, ed. (1993) Bill Russell’s American Music. New Orleans: Jazzology Press.
Hazeldine, Mike, and Barry Martyn, eds. (2000) Bunk Johnson: Song of the Wanderer. New Orleans: Jazzology Press.
Heining, Duncan (2012) Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox.
Hesmondaigh, Desmond, and Keith Negus, eds. (2002) Popular Music Studies. London: Hodder Education.
Kling, Rob, and Elihu Gerson (1978) ‘Patterns of Segmentation and Intersection in the Computing World’. Symbolic Interaction 1 (Spring): 24–43. http://dx.doi.org/10.1525/si.1978.1.2.24
Leigh, Spencer (2002) Sweeping the Blues Away: A Celebration of the Merseysippi Jazz Band. Liverpool: Institute of Popular Music, University of Liverpool.
Liddle, Andrew (2011) ‘Spotlight on Fred Burnett: Webmaster Extraordinary’. Just Jazz 161 (September): 3–5.
Martin, Peter, J. (2005) ‘The Jazz Community as an Art World: A Sociological Perspective’. The Source 2: 5–13.
——(2006) ‘Musicians’ Worlds: Music Making as a Collaborative Activity’. Symbolic Interaction 29/1: 95–107. http://dx.doi.org/10.1525/si.2006.29.1.95
McKay, George (2003) ‘Just a Closer Walk with Thee: New Orleans Style Jazz and the Campaign for Nuclear Disarmament in 1950s Britain’. Popular Music 22/3: 261–82. http://dx.doi.org/10.1017/S0261143003003180
——(2004) ‘Unsafe Things Like Youth and Jazz: Beaulieu Jazz Festivals (1956–61) and the Origins of Pop Festival Culture in Britain’. In Remembering Woodstock, ed. Andy Bennett, 90–110. Aldershot: Ashgate.
——(2005) Circular Breathing: The Cultural Politics of Jazz in Britain. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822387282
Moore, Hilary (2007) ‘Ken Colyer and the Trad Jazz Movement: Class, Authenticity and the Nostalgic Imagination’. In Hilary Moore, Inside British Jazz: Crossing Borders of Race, Nation and Class, 37–65. Aldershot: Ashgate.
Panassié, Hughes (1942) The Real Jazz. New York: Smith and Durrell.
Pointon, Mike, and Ray Smith (2010) Goin’ Home: The Uncompromising Life and Music of Ken Colyer. London: Ken Colyer Trust.
Potter, Russell A. (1999) ‘Race’. In Key Terms in Popular Music and Culture, ed. Bruce Turner and Thomas Swiss, 71–84. Oxford: Blackwell.
Prus, Robert (1996) Symbolic Interaction and Ethnographic Research: Intersubjectivity and the Study of Human Lived Experience. New York: State University of New York Press.
——(1997) Subcultural Mosaics and Intersubjective Reality: An Ethnographic Research Agenda for Pragmatizing the Social Sciences. New York: State University of New York Press.
Raeburn, Bruce Boyd (2009) New Orleans Style and the Writing of American Jazz History. Ann Arbor: University of Michigan Press.
Shipton, Alyn (2012) ‘The New Orleans Revival in Britain and France’. In Eurojazzland: Jazz and European Sources, Dynamics and Contexts, ed. Luca Cherchiari, Laurent Cugney and Franz Kerchbaumer, 253–74. Boston: Northeastern University Press.
Smith, Nicola (2009) ‘Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes’. In The Ashgate Research Companion to Popular Musicology, ed. Derek B. Scott, 427–45. Farnham: Ashgate.
Stagg, Tom, and Charlie Crump (1973) New Orleans—The Revival: A Tape and Discography of Negro Traditional Jazz Recorded in New Orleans or by New Orleans Bands, 1937–1972. Dublin: Bashall Eaves.
Stamp, Terence (2005) Jazz Britannia, Part 1, BBC Four. https://www.youtube.com/watch?v=OHfZ8KOl9QI (accessed 23 September 2014).
Stock, Jonathan P. J. (2004) ‘Documenting the Musical Event: Observation, Participation, Representation’. In Empirical Musicology: Aims, Methods, Prospects, ed. Eric Clarke and Nicholas Cook, 15–34. Oxford: Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780195167498.003.0002
Strauss, Anselm L. (1978) ‘A Social Worlds Perspective’. In Studies in Symbolic Interaction, vol. 1, ed. Norman Denzin, 119–28. Greenwich, CT: JAI.
——(1982) ‘Social Worlds and Legitimation Processes’. In Studies in Symbolic Interaction, vol. 4, ed. Norman K. Denzin, 171–90. Greenwich, CT: JAI Press.
—(1984) ‘Social Worlds and their Segmentation Processes’. In Studies in Symbolic Interaction, vol. 5, ed. Norman K. Denzinm, 123–39. Greenwich, CT: JAI Press.
——(1993) Continual Permutations of Action. New York: Aldine de Gruyter.
Unruh, David R. (1979) ‘Characteristics and Types of Participation in Social Worlds’. Symbolic Interaction 2/2: 115–29. http://dx.doi.org/10.1525/si.1979.2.2.115
—(1983) Invisible Lives: Social Worlds of the Aged. Beverly Hills, CA: Sage Publications.
Wall, Tim, and Paul Long (2009) ‘Jazz Britannia: Mediating the Story of British Jazz on Television’. Jazz Research Journal 3/2: 145–70.
Witt, Mike (2014) ‘Trad—Dying or Needing New Revival? Where Have All the Trad Fans Gone?’ Just Jazz 198 (October): 30–33.
Anon (2010) ‘George Webb: Obituary’. Daily Telegraph, 14 March. http://www.telegraph.co.uk/news/obituaries/7442993/George-Webb.html (accessed 23 September 2014).
Atkinson, P., and M. Hammersley (1994) ‘Ethnography and Participant Observation’. In Handbook of Qualitative Research, ed. N. K. Denzin and Y. S. Lincoln, 248–61. California: Sage Publications.
Barber, Chris, with Alyn Shipton (2014) Jazz Me Blues: The Autobiography of Chris Barber. Sheffield: Equinox.
Becker, Howard S. (2008) [1982] Art Worlds, 25th anniversary ed. Berkeley: University of California Press.
Bell, Graeme (2008) ‘The Historical Prague and Paris Recordings, 1947–48’. Audio CD by Graeme Bell and his Australian Jazz Band.
Bennett, Andy (2001) ‘Whose Generation? Youth, Music and Nostalgia’. In Andy Bennett, Cultures of Popular Music, 152–62. Maidenhead: Open University Press.
Bielderman, Gerard (2009a) ‘Band History’ © West Coast Entertainments Ltd. In Merseysisppi Jazz Band Discography, 3–7. Zwolle, The Netherlands: Gerard Bielderman.
——(2009b) ‘Band Personnel 1949–2009’. In Merseysippi Jazz Band Discography, 21. Zwolle, the Netherlands: Gerard Bielderman.
——(2009c) Merseysippi Jazz Band Discography. Zwolle, the Netherlands: Gerard Bielderman.
Blumer, Herbert (1969) Symbolic Interactionism: Perspective and Method. Englewood Cliffs, NJ: Prentice Hall.
Boulton, David (1958) Jazz in Britain. London: W.H. Allen.
Carr, Ian, Digby Fairweather and Brian Priestley (1987) ‘Revivalism’. In idem, Jazz: The Essential Companion. London: Grafton Books.
Carter, William (1991) Preservation Hall: Music from the Heart. New York: W.W. Norton.
Clarke, Adele C. (2005) Situational Analysis: Grounded Theory after the Postmodern Turn. Thousand Oaks, CA: Sage.
Cohen, Sara (1993) ‘Ethnography and Popular Music Studies’. Popular Music 12: 123–38. http://dx.doi.org/10.1017/S0261143000005511
Cohen, Stanley (2002) Folk Devils and Moral Panics, 30th anniversary ed. London: Routledge.
Colyer, Ken (2009) [1989] When Dreams are in Dust: The Path of a Jazzman, newly restored ed. London: Ken Colyer Trust.
Dixson, Dave (2011) ‘Don Lydiatt, 12th Jan 1927 – 30th Nov 2011’, http://www.jazznorthwest.co.uk/donlyd.htm.
Ekins, Richard (1978) ‘G.H. Mead: Contributions to a Philosophy of Sociological Knowledge’. Unpublished PhD dissertation, University of London.
——(1997) Male Femaling: A Grounded Theory Approach to Cross-Dressing and Sex-Changing. London: Routledge.
——(2005–2009) Booklets, variously 12pp and 16pp, accompanying 504/La Croix Records, CD91, 92, 93, 94, 95, and 96—‘The Lord Richard New Orleans Sessions: Vols. 1-6’. http://www.lacroixrecords.com (accessed 23 September 2014).
——(2009) ‘Bob Wallis on Authenticity and the New Orleans Jazz Revival in Britain’. Just Jazz 138 (October): 22–27.
——(2010) ‘Traditional Jazz and the Mainstreaming of Authenticity: The Case of British Traddy Pop (1959–1963)—A Grounded Theory Approach’. Popular Music History 5: 125–50.
——(2012) ‘Authenticity as Authenticating—The Case of New Orleans Jazz Revivalism: An Approach from Grounded Theory and Social World Analysis’. Popular Music History 7: 24–52.
——(2013) ‘The Social Construction of a Music Mecca: “Goin’ Home”, New Orleans and International New Orleans Jazz Revivalism’. Popular Music History 8: 29–45.
Ekins, Richard, and Dave King (2006) The Transgender Phenomenon. London: Sage.
——(2010) ‘The Emergence of New Transgendering Identities in the Age of the Internet’. In Transgender Identities: Towards a Social Analysis of Gender Diversity, ed. Sally Hines and Tam Sanger, 25–42. New York: Routledge.
Ellis, C., and A. Bochner (2000) ‘Autoethnography, Personal Narrative, Reflexivity: Researcher as Subject’. In Handbook of Qualitative Research, 2nd ed., ed. Norman K. Denzin and Y. S. Lincoln, 733–68. Thousand Oaks, CA: Sage.
Fairley, Jan, and Murray Forman, eds. (2012) ‘As Time Goes By: Music, Dancing and Ageing’. Popular Music (special issue) 31/2.
Finnegan, Ruth (2007) The Hidden Musicians: Music-Making in an English Town. Middletown, CT: Wesleyan University Press.
Frith, Simon (1988) ‘Playing with Real Feeling—Jazz and Surburbia’. In Frith, Music for Pleasure: Essays in the Sociology of Pop, 45–63. Cambridge: Polity Press.
Gelly, Dave (2014) An Unholy Row: Jazz in Britain and its Audience, 1945–1960. Sheffield: Equinox.
Glaser, Barney F. (1978) Theoretical Sensitivity: Advances in the Methodology of Grounded Theory. Mills Valley, CA: Sociology Press.
Godbolt, Jim (1989) A History of Jazz in Britain, 1950–1970. London: Quartet Books.
Goggin, Jim, and Peter Clute (1994) The Great Jazz Revival, with an introduction by Philip Elwood. San Rafael, CA: Donna Ewald.
Goodey, Brian R. (1968) ‘New Orleans to London: Twenty Years of the New Orleans Jazz Revival in Britain’. Journal of Popular Culture 2/2: 173–94. http://dx.doi.org/10.1111/j.0022-3840.1968.0202_173.x
Hadlock, Richard (2000) ‘The New Orleans Revival’. In The Oxford Companion to Jazz, ed. Bill Kirchner, 305–315. Oxford: Oxford University Press.
Hammersley, Martyn, and Paul Atkinson (2007) Ethnography: Principles in Practice, 3rd ed. Abingdon: Taylor & Francis.
Hazeldine, Mike, ed. (1993) Bill Russell’s American Music. New Orleans: Jazzology Press.
Hazeldine, Mike, and Barry Martyn, eds. (2000) Bunk Johnson: Song of the Wanderer. New Orleans: Jazzology Press.
Heining, Duncan (2012) Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox.
Hesmondaigh, Desmond, and Keith Negus, eds. (2002) Popular Music Studies. London: Hodder Education.
Kling, Rob, and Elihu Gerson (1978) ‘Patterns of Segmentation and Intersection in the Computing World’. Symbolic Interaction 1 (Spring): 24–43. http://dx.doi.org/10.1525/si.1978.1.2.24
Leigh, Spencer (2002) Sweeping the Blues Away: A Celebration of the Merseysippi Jazz Band. Liverpool: Institute of Popular Music, University of Liverpool.
Liddle, Andrew (2011) ‘Spotlight on Fred Burnett: Webmaster Extraordinary’. Just Jazz 161 (September): 3–5.
Martin, Peter, J. (2005) ‘The Jazz Community as an Art World: A Sociological Perspective’. The Source 2: 5–13.
——(2006) ‘Musicians’ Worlds: Music Making as a Collaborative Activity’. Symbolic Interaction 29/1: 95–107. http://dx.doi.org/10.1525/si.2006.29.1.95
McKay, George (2003) ‘Just a Closer Walk with Thee: New Orleans Style Jazz and the Campaign for Nuclear Disarmament in 1950s Britain’. Popular Music 22/3: 261–82. http://dx.doi.org/10.1017/S0261143003003180
——(2004) ‘Unsafe Things Like Youth and Jazz: Beaulieu Jazz Festivals (1956–61) and the Origins of Pop Festival Culture in Britain’. In Remembering Woodstock, ed. Andy Bennett, 90–110. Aldershot: Ashgate.
——(2005) Circular Breathing: The Cultural Politics of Jazz in Britain. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822387282
Moore, Hilary (2007) ‘Ken Colyer and the Trad Jazz Movement: Class, Authenticity and the Nostalgic Imagination’. In Hilary Moore, Inside British Jazz: Crossing Borders of Race, Nation and Class, 37–65. Aldershot: Ashgate.
Panassié, Hughes (1942) The Real Jazz. New York: Smith and Durrell.
Pointon, Mike, and Ray Smith (2010) Goin’ Home: The Uncompromising Life and Music of Ken Colyer. London: Ken Colyer Trust.
Potter, Russell A. (1999) ‘Race’. In Key Terms in Popular Music and Culture, ed. Bruce Turner and Thomas Swiss, 71–84. Oxford: Blackwell.
Prus, Robert (1996) Symbolic Interaction and Ethnographic Research: Intersubjectivity and the Study of Human Lived Experience. New York: State University of New York Press.
——(1997) Subcultural Mosaics and Intersubjective Reality: An Ethnographic Research Agenda for Pragmatizing the Social Sciences. New York: State University of New York Press.
Raeburn, Bruce Boyd (2009) New Orleans Style and the Writing of American Jazz History. Ann Arbor: University of Michigan Press.
Shipton, Alyn (2012) ‘The New Orleans Revival in Britain and France’. In Eurojazzland: Jazz and European Sources, Dynamics and Contexts, ed. Luca Cherchiari, Laurent Cugney and Franz Kerchbaumer, 253–74. Boston: Northeastern University Press.
Smith, Nicola (2009) ‘Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes’. In The Ashgate Research Companion to Popular Musicology, ed. Derek B. Scott, 427–45. Farnham: Ashgate.
Stagg, Tom, and Charlie Crump (1973) New Orleans—The Revival: A Tape and Discography of Negro Traditional Jazz Recorded in New Orleans or by New Orleans Bands, 1937–1972. Dublin: Bashall Eaves.
Stamp, Terence (2005) Jazz Britannia, Part 1, BBC Four. https://www.youtube.com/watch?v=OHfZ8KOl9QI (accessed 23 September 2014).
Stock, Jonathan P. J. (2004) ‘Documenting the Musical Event: Observation, Participation, Representation’. In Empirical Musicology: Aims, Methods, Prospects, ed. Eric Clarke and Nicholas Cook, 15–34. Oxford: Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780195167498.003.0002
Strauss, Anselm L. (1978) ‘A Social Worlds Perspective’. In Studies in Symbolic Interaction, vol. 1, ed. Norman Denzin, 119–28. Greenwich, CT: JAI.
——(1982) ‘Social Worlds and Legitimation Processes’. In Studies in Symbolic Interaction, vol. 4, ed. Norman K. Denzin, 171–90. Greenwich, CT: JAI Press.
—(1984) ‘Social Worlds and their Segmentation Processes’. In Studies in Symbolic Interaction, vol. 5, ed. Norman K. Denzinm, 123–39. Greenwich, CT: JAI Press.
——(1993) Continual Permutations of Action. New York: Aldine de Gruyter.
Unruh, David R. (1979) ‘Characteristics and Types of Participation in Social Worlds’. Symbolic Interaction 2/2: 115–29. http://dx.doi.org/10.1525/si.1979.2.2.115
—(1983) Invisible Lives: Social Worlds of the Aged. Beverly Hills, CA: Sage Publications.
Wall, Tim, and Paul Long (2009) ‘Jazz Britannia: Mediating the Story of British Jazz on Television’. Jazz Research Journal 3/2: 145–70.
Witt, Mike (2014) ‘Trad—Dying or Needing New Revival? Where Have All the Trad Fans Gone?’ Just Jazz 198 (October): 30–33.
Published
2015-10-23
Issue
Section
Articles
How to Cite
Ekins, R. (2015). Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization. Jazz Research Journal, 9(1), 8-36. https://doi.org/10.1558/jazz.v9i1.21250
