Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95.
DOI:
https://doi.org/10.1558/jazz.v10i1-2.29355Keywords:
Globalization, Jazz, History, SociologyReferences
Bourdieu, Pierre, Alain Darbel and Dominique Schnapper. 1990 [1966]. The Love of Art: European Art Museums and Their Public. Oxford : Polity Press.
Bourdieu, Pierre. 1984 [1979]. Distinction: A Social Critique of the Judgment of Taste. Cambridge : Harvard University Press.
Bourdieu, Pierre. 1996 [1992]. The Rules of Art: Genesis and Structure of the Literary Field. Stanford: Stanford University Press.
DiMaggio, Paul and Michaël Useem. 1978. “Social class and arts consumption”. Theory and society, 5(2): 141-161.
DiMaggio, Paul. 1982. “Cultural entrepreneurship in nineteenth-century Boston”. Media, Culture and Society 4:33-50, 303-21.
DiMaggio, Paul and Toqir Mukhtar. 2004. “Arts participation as cultural capital in the United States, 1982–2002: Signs of decline?” Poetics, 32(2): 169-194.
Dorin, Stephane. 2010. “Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in India,” Jazz Research Journal, volume 4, number 2: 123–140.
Kater, Michaël. 2003. Different Drummers: Jazz in the Culture of Nazi Germany. New York: Oxford University Press.
Peterson, Richard A. 1997. Creating Country Music: Fabricating Authenticity. Chicago: University of Chicago Press.
Weber, William. 1992. The Rise of Musical Classics in Eighteenth Century England: a Study in Canon, Ritual and Ideology, Oxford: Clarendon Press.
Videography:
Waters, Muddy and the Rolling Stones. 2012. Live at the Checkerboard Lounge, Chicago 1981. London: Eagles Vision, DVD.
Bourdieu, Pierre. 1984 [1979]. Distinction: A Social Critique of the Judgment of Taste. Cambridge : Harvard University Press.
Bourdieu, Pierre. 1996 [1992]. The Rules of Art: Genesis and Structure of the Literary Field. Stanford: Stanford University Press.
DiMaggio, Paul and Michaël Useem. 1978. “Social class and arts consumption”. Theory and society, 5(2): 141-161.
DiMaggio, Paul. 1982. “Cultural entrepreneurship in nineteenth-century Boston”. Media, Culture and Society 4:33-50, 303-21.
DiMaggio, Paul and Toqir Mukhtar. 2004. “Arts participation as cultural capital in the United States, 1982–2002: Signs of decline?” Poetics, 32(2): 169-194.
Dorin, Stephane. 2010. “Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in India,” Jazz Research Journal, volume 4, number 2: 123–140.
Kater, Michaël. 2003. Different Drummers: Jazz in the Culture of Nazi Germany. New York: Oxford University Press.
Peterson, Richard A. 1997. Creating Country Music: Fabricating Authenticity. Chicago: University of Chicago Press.
Weber, William. 1992. The Rise of Musical Classics in Eighteenth Century England: a Study in Canon, Ritual and Ideology, Oxford: Clarendon Press.
Videography:
Waters, Muddy and the Rolling Stones. 2012. Live at the Checkerboard Lounge, Chicago 1981. London: Eagles Vision, DVD.
Published
2016-07-25
Issue
Section
Reviews
How to Cite
Dorin, S. (2016). Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95. Jazz Research Journal, 10(1-2), 192-196. https://doi.org/10.1558/jazz.v10i1-2.29355
