Tom Pickering

Jazz on the periphery of the periphery

Authors

  • Matthew Joshua Boden University of Tasmania

DOI:

https://doi.org/10.1558/jazz.v10i1-2.29128

Keywords:

Australia, Australian jazz, jazz, Pickering, Tasmania, Tasmanian jazz

Abstract

This article explores the initial encounter with jazz by Tom Pickering, and documents his musical development until the first Australian Jazz Convention in 1946. The AJC is a useful demarcation in time: the broad division in Australian jazz, which still exists, between those pursuing more traditional styles and those focused on modern styles (bebop and beyond) can be traced to this event. Through the examination of the early career of Pickering, the cultural transfer of jazz is explored. I argue that given the sociological environment, scarcity of materials and sheer enthusiasm for the American models, Australian jazz has at its core a distinctive sound that is nevertheless closely related to its American roots. 

Pickering represents the typical encounter and pursuit of jazz in Australia during the first half of the twentieth century: a teenage introduction to dance music and hot music, experimentation with instrumental performance given little to no tuition, appropriation of the music by imitation of recordings individually and within a group setting, and the relentless consumption of all available information connected to the art form. By taking Pickering as a case study, I will demonstrate the initial period of exposure and appropriation that is common to many Australian jazz musicians, which was crucial in the formation of an Australian jazz sound. Through the dissection of the developmental processes of a typical Australian jazz musician in the former half of the twentieth century, this article sheds new light on the identity of Australian jazz and demonstrates modalities concerning the international movement of musical form.

Author Biography

  • Matthew Joshua Boden, University of Tasmania
    Matt Boden, pianist, composer, arranger, orchestrator and producer, is originally from Hobart, Australia. Prior to his current appointments at the University of Tasmania, Matt was living and working around Europe, based in Paris, France. After completing a Masters in Music Performance in 2003, Matt moved to Melbourne, then Berlin and finally settled in Paris, rapidly establishing himself as a much sought-after pianist and educator, forging relationships that continue to this day. Matt is currently undertaking a PhD in musicology at the Conservatorium. In addition, he is lecturing and tutoring in classical and contemporary streams in units covering jazz theory and aural skills, classical theory and aural skills, jazz history, and ensembles.

References

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Published

2016-07-25

Issue

Section

Articles

How to Cite

Boden, M. J. (2016). Tom Pickering: Jazz on the periphery of the periphery. Jazz Research Journal, 10(1-2), 109-125. https://doi.org/10.1558/jazz.v10i1-2.29128