Editorial
The Global Circulations of Jazz
DOI:
https://doi.org/10.1558/jazz.v10i1-2.29354Keywords:
Globalization, Jazz, History, Sociology, AnthropologyReferences
Atkins, E. Taylor (2001) Blue Nippon: Authenticating Jazz in Japan. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822380030
Atkins, E. Taylor, ed. (2003) Jazz Planet. Minneapolis, MN: University Press of Minnesota.
Bohlman, Philip V., and Ronald M. Ranado, eds. (2000) Music and the Racial Imagination. Chicago: University of Chicago Press.
Bourdieu, Pierre (1999) ‘The Social Conditions of the International Circulation of Ideas’. In Bourdieu: A Critical Reader, ed. Richard Shusterman, 220–28. Oxford: Blackwell.
DeVeaux, Scott (1991) ‘Constructing the Jazz Tradition: Jazz Historiography’. Black American Literature Forum 25/3: 525–60. http://dx.doi.org/10.2307/3041812
Dorin, Stéphane (2005) ‘La Globalisation des formes culturelles. Le jazz et le rock à Calcutta’. Unpublished PhD dissertation, EHESS.
——(2010) ‘Jazz and Race in Colonial India: The Role of Anglo-Indian Musicians in the Diffusion of Jazz in Calcutta’. Jazz Research Journal 4/2: 123–40.
——(2012) ‘Swingin’ India. Circulations coloniales et postcoloniales du jazz en Inde’. L’Homme 202/2: 169–92.
——(2016) Calcutta Song. Globalization and Western Popular Music in India. Paris: Editions des Archives Contemporaines.
Faulkner, Robert, and Howard S. Becker (2009) Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press. http://dx.doi.org/10.7208/chicago/9780226239224.001.0001
Feld, Steven (2012) Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822394969
Hesmondhalgh, David (2007) The Cultural Industries. London: Sage.
——(2012) ‘La musique et le numérique; au-delà du battage’. In Sound Factory. Musique et logiques de l’industrialisation, ed. Stéphane Dorin, 141–52. Saffré: Mélanie Séteun/Uqbar.
Hesmondhalgh, David, and Georgina Born, eds (2000) Western Music and its Others: Difference, Representation, and Appropriation in Music. Oakland: University of California Press.
Jamin, Jean (2001) ‘Jazz et Anthropologie’. L’Homme 158-159: 2–3.
Jamin Jean, and Patrick Williams (2010) Une anthropologie du jazz. Paris: CNRS Editions.
Kelley, Robin D. G. (2012) Africa Speaks, America Answers: Modern Jazz in Revolutionary Times. Cambridge, MA: Harvard University Press. http://dx.doi.org/10.4159/harvard.9780674065246
Muller, Carol (2011) Musical Echoes: South African Women Thinking in Jazz. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822393641
Parsonage, Catherine (2005) The Evolution of Jazz in Britain, 1880–1935. Farnham: Ashgate.
Pinckney, Warren, Jr (1989) ‘Jazz in India: Perspectives on Historical Development and Musical Acculturation’. Asian Music 21/1 (Autumn/Winter): 35–77. http://dx.doi.org/10.2307/834073
Roueff Olivier (2013) Les échelles du plaisir. Histoire sociale du jazz en France. Paris: La Dispute.
Roueff, Olivier, and Denis-Constant Martin (2000) La France du jazz: Musique modernité et identité dans la première moitié du XXe siècle. Marseilles: Parenthèses.
Servan-Schreiber, Catherine (2010) Histoire d’une musique métisse à l’île Maurice. Chutney indien et séga Bollywood. Paris: Riveneuve éditions.
——(2011) ‘Indian Folk Music and “Tropical Body Language”: The Case of Mauritian Chutney’. South Asia Multidisciplinary Academic Journal. Online: http://samaj.revues.org/3111 (accessed 8 July 2012).
Shope, Bradley (2004) ‘Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow’. TDR/The Drama Review 48/4 (Winter): 167–82. http://dx.doi.org/10.1162/1054204042442053
——(2008) ‘The Public Consumption of Western Music in Colonial India: From Imperialist Exclusivity to Global Receptivity’. South Asia: Journal of South Asian Studies XXXI/2 (August): 271–89. http://dx.doi.org/10.1080/00856400802192911
Tournés, Ludovic (1999) New Orleans sur Seine. Histoire du jazz en France. Paris: Fayard.
Atkins, E. Taylor, ed. (2003) Jazz Planet. Minneapolis, MN: University Press of Minnesota.
Bohlman, Philip V., and Ronald M. Ranado, eds. (2000) Music and the Racial Imagination. Chicago: University of Chicago Press.
Bourdieu, Pierre (1999) ‘The Social Conditions of the International Circulation of Ideas’. In Bourdieu: A Critical Reader, ed. Richard Shusterman, 220–28. Oxford: Blackwell.
DeVeaux, Scott (1991) ‘Constructing the Jazz Tradition: Jazz Historiography’. Black American Literature Forum 25/3: 525–60. http://dx.doi.org/10.2307/3041812
Dorin, Stéphane (2005) ‘La Globalisation des formes culturelles. Le jazz et le rock à Calcutta’. Unpublished PhD dissertation, EHESS.
——(2010) ‘Jazz and Race in Colonial India: The Role of Anglo-Indian Musicians in the Diffusion of Jazz in Calcutta’. Jazz Research Journal 4/2: 123–40.
——(2012) ‘Swingin’ India. Circulations coloniales et postcoloniales du jazz en Inde’. L’Homme 202/2: 169–92.
——(2016) Calcutta Song. Globalization and Western Popular Music in India. Paris: Editions des Archives Contemporaines.
Faulkner, Robert, and Howard S. Becker (2009) Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press. http://dx.doi.org/10.7208/chicago/9780226239224.001.0001
Feld, Steven (2012) Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822394969
Hesmondhalgh, David (2007) The Cultural Industries. London: Sage.
——(2012) ‘La musique et le numérique; au-delà du battage’. In Sound Factory. Musique et logiques de l’industrialisation, ed. Stéphane Dorin, 141–52. Saffré: Mélanie Séteun/Uqbar.
Hesmondhalgh, David, and Georgina Born, eds (2000) Western Music and its Others: Difference, Representation, and Appropriation in Music. Oakland: University of California Press.
Jamin, Jean (2001) ‘Jazz et Anthropologie’. L’Homme 158-159: 2–3.
Jamin Jean, and Patrick Williams (2010) Une anthropologie du jazz. Paris: CNRS Editions.
Kelley, Robin D. G. (2012) Africa Speaks, America Answers: Modern Jazz in Revolutionary Times. Cambridge, MA: Harvard University Press. http://dx.doi.org/10.4159/harvard.9780674065246
Muller, Carol (2011) Musical Echoes: South African Women Thinking in Jazz. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822393641
Parsonage, Catherine (2005) The Evolution of Jazz in Britain, 1880–1935. Farnham: Ashgate.
Pinckney, Warren, Jr (1989) ‘Jazz in India: Perspectives on Historical Development and Musical Acculturation’. Asian Music 21/1 (Autumn/Winter): 35–77. http://dx.doi.org/10.2307/834073
Roueff Olivier (2013) Les échelles du plaisir. Histoire sociale du jazz en France. Paris: La Dispute.
Roueff, Olivier, and Denis-Constant Martin (2000) La France du jazz: Musique modernité et identité dans la première moitié du XXe siècle. Marseilles: Parenthèses.
Servan-Schreiber, Catherine (2010) Histoire d’une musique métisse à l’île Maurice. Chutney indien et séga Bollywood. Paris: Riveneuve éditions.
——(2011) ‘Indian Folk Music and “Tropical Body Language”: The Case of Mauritian Chutney’. South Asia Multidisciplinary Academic Journal. Online: http://samaj.revues.org/3111 (accessed 8 July 2012).
Shope, Bradley (2004) ‘Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow’. TDR/The Drama Review 48/4 (Winter): 167–82. http://dx.doi.org/10.1162/1054204042442053
——(2008) ‘The Public Consumption of Western Music in Colonial India: From Imperialist Exclusivity to Global Receptivity’. South Asia: Journal of South Asian Studies XXXI/2 (August): 271–89. http://dx.doi.org/10.1080/00856400802192911
Tournés, Ludovic (1999) New Orleans sur Seine. Histoire du jazz en France. Paris: Fayard.
Published
2016-07-25
Issue
Section
Editorial
How to Cite
Dorin, S. (2016). Editorial: The Global Circulations of Jazz. Jazz Research Journal, 10(1-2), 5-12. https://doi.org/10.1558/jazz.v10i1-2.29354
