IMAGES OF NATURE AND MEANINGS OF LIFE IN THE FACE OF DEATH

AN EXISTENTIAL QUEST

Authors

  • Christa Anbeek University for Humanistics

DOI:

https://doi.org/10.1558/eph.v19i2.81

Keywords:

humanism, science, Richard Dawkins, biology, Francis of Assisi

Abstract

This article will explore different images of nature and their implications for the meaning of life in the face of death. First we will elaborate on life as creation, as expressed by Francis of Assisi in his Canticle of the Sun, and see how the imaginative power of this story gives meaning to life and death. Then we will go into the evolutionary approach of life by Richard Dawkins. In his work a totally different significance of finitude becomes visible: death as a necessary segment in the development of life. The philosopher Leo Apostel states that an intellectual/scientific understanding of death is not enough; we need to explore our emotional response to the universe in order to be able to create meaning and value. The work of the biologist Ursula Goodenough and the philosopher Ton Lemaire are discussed as examples of such an affective admiration of life and death based on scientific knowledge. In the end I will conclude that scientific insights give us a lot of information about human beings as concerns their nature and the inevitability of death. But how we can affectively value and give meaning to life in the face of death is still an open question which cannot be answered by science alone.

Author Biography

  • Christa Anbeek, University for Humanistics

    Christa Anbeek, Ph.D. is an associate professor of existential philosophy at the University for Humanistics at Utrecht, the Netherlands.

References

Apostel, L., & Christiaens, W. 2000. Natuurfilosofie : Voorbereidend werk voor een op de fysica gebaseerde ontologie. Brussel: VUBPress.

Apostel, L., & Christiaens, W. 2000a. Oorsprong : Inleiding tot een metafysica van het ontstaan van mens, leven en heelal. Brussel: VUBPress.

Baasten, Martin, 2009. Scheppen of scheiden? Over de interpretative van Genesis 1. Met andere woorden. Utrecht: NBG. 2009/4, 3-14.

Darwin, C. [1859] 1993. The Origin of Species (Harvard Classics ed.). Norwalk, Connecticut: The Easton Press.

Dawkins, R. 2009. The Greatest Show on Earth. The Evidence for Evolution. New York, London, Toronto, Sydney: FREE PRESS.

Drees, W.B. 2002. Creation. From Nothing Until Now. London, New York: Routledge

Drees, W.B. 2010. Religion and Science in Context. A Guide to the Debates. London, New York: Routledge

Goodenough, U. 1998. TheSacred Depths of Nature. Oxford, New York: Oxford University Press.

Lemaire, T. 2002. Met open zinnen. natuur, landschap, aarde. Amsterdam: Ambo.

Midgley, M. 2010. The Solitary Self. Darwin and the Selfish Gene. Durham: Acumen Publishing.

Munster, H. v. o. f. m. 2002. De mystiek van Franciscus. de macht van barmhartigheid. Haarlem: Uitgeverij J.H. Gottmer/H.J.W. Becht.

Schouten, M. G. C., Ool, M. v., & Leeuwen, J. v. 2001. De natuur als beeld in religie, filosofie en kunst Utrecht: KNNV Uitgeverij.

Published

2013-10-09

Issue

Section

Articles

How to Cite

Anbeek, C. (2013). IMAGES OF NATURE AND MEANINGS OF LIFE IN THE FACE OF DEATH: AN EXISTENTIAL QUEST. Essays in the Philosophy of Humanism, 19(2), 81-98. https://doi.org/10.1558/eph.v19i2.81