The Presence of Secular Books in Raphael’s Fresco The School of Athens
DOI:
https://doi.org/10.1558/cis.v2i1.51Keywords:
Islam and the Renaissance, Raphael, Ibn Rushd, allegorical art, secularismAbstract
This paper studies the presence of the secular book in visual art during the Italian Renaissance. It was the age of humanism, during which the image of the book was changed to be a symbol of secular knowledge. For more than twelve centuries, the book was present in art to represent the Holy Bible. It was utilized in Early Christian, Byzantine and Medieval art to show sacred principles and the power of the church in people’s lives.
Although the Arabs began translating the classical works of Plato, Aristotle and others as early as the eighth century, their role in European Renaissance is rarely mentioned in art history sources.
The paper discusses Raphael’s fresco The School of Athens, which shows a great concern for humanism and education from multi-cultured sources. Raphael represents Plato, Aristotle, Socrates, Euclid, Pythagoras and Ibn Rushd, the Muslim philosopher and physician. This fresco is an official and historical homage to all minds who enlightened Europe and affected civilizations.
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