Writing Iran from Exile
An Accented History
DOI:
https://doi.org/10.1558/cis.39190Keywords:
national history, Iranian cinema, exile, modernity, subject formationAbstract
A Social History of Iranian Cinema, vol. 1: The Artisanal Era, 1897-1941. by Hamid Naficy. Duke University Press, 2011. 456pp., Pb. $28.95 ISBN-13: 9780822347750.
A Social History of Iranian Cinema, vol. 2: The Industrializing Years, 1941-1978, by Hamid Naficy. Duke University Press, 2011. 560pp., Pb. $29.95. ISBN-13: 9780822347743.
A Social History of Iranian Cinema, vol. 3: The Islamicate Period, 1978-1984. by Hamid Naficy. Duke University Press, 2012. 288pp., Pb. $25.95. ISBN-13: 9780822348771.
A Social History of Iranian Cinema, vol. 4: The Globalizing Era, 1984-2010. by Hamid Naficy. Duke University Press, 2012. 664 pp., Pb. $32.95. ISBN-13: 9780822348788.
References
Asad, Talal. 1993. Genealogies of Religion: Discipline and Reasons of Power in Christianity and Islam. Baltimore, MD: The John Hopkins University Press.
Ghamari-Tabrizi, Behrooz. 2016. Foucault in Iran: Islamic Revolution after the Enlightenment. Minneapolis: University of Minnesota Press. https://doi.org/10.5749/minnesota/9780816699483.001.0001
Kurzman, Charles. 2004. The Unthinkable Revolution in Iran. Cambridge, MA: Harvard University Press.
Naficy, Hamid. 1993. The Making of Exile Cultures: Iranian Television in Los Angeles. Minneapolis: University of Minnesota Press.
———. 1996. “Theorizing “Third-World” Film Spectatorship.” Wide Angle 18(4): 3–26. https://doi.org/10.1353/wan.1996.0022
———. 2011a. A Social History of Iranian Cinema, vol. 1: The Artisanal Era, 1897–1941. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393009
———. 2011b. A Social History of Iranian Cinema, vol. 2: The Industrializing Years, 1941–1978. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393016
———. 2012a. A Social History of Iranian Cinema, vol. 3: The Islamicate Period, 1978–1984. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393535
———. 2012b. A Social History of Iranian Cinema, vol. 4: The Globalizing Era, 1984–2010. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393542
Panagia, Davide. 2013. “Why Film Matters to Political Theory.” Contemporary Political Theory 12 (1): 2–25. https://doi.org/10.1057/cpt.2012.4
Partovi, Pedram. 2013. “Review Essay.” Review of A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897–1941 and A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978, by Hamid Naficy. Iranian Studies 46(6): 1003–1010. https://doi.org/10.1080/00210862.2013.811382
Rancière, Jacques. 2004. Disagreement: Politics and Philosophy. Translated by Julie Rose. Minneapolis: University of Minnesota Press.
———. 2011. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso.
Said, Edward. 2000. Reflections on Exile and Other Essays. Cambridge, MA: Harvard University Press.
Ghamari-Tabrizi, Behrooz. 2016. Foucault in Iran: Islamic Revolution after the Enlightenment. Minneapolis: University of Minnesota Press. https://doi.org/10.5749/minnesota/9780816699483.001.0001
Kurzman, Charles. 2004. The Unthinkable Revolution in Iran. Cambridge, MA: Harvard University Press.
Naficy, Hamid. 1993. The Making of Exile Cultures: Iranian Television in Los Angeles. Minneapolis: University of Minnesota Press.
———. 1996. “Theorizing “Third-World” Film Spectatorship.” Wide Angle 18(4): 3–26. https://doi.org/10.1353/wan.1996.0022
———. 2011a. A Social History of Iranian Cinema, vol. 1: The Artisanal Era, 1897–1941. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393009
———. 2011b. A Social History of Iranian Cinema, vol. 2: The Industrializing Years, 1941–1978. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393016
———. 2012a. A Social History of Iranian Cinema, vol. 3: The Islamicate Period, 1978–1984. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393535
———. 2012b. A Social History of Iranian Cinema, vol. 4: The Globalizing Era, 1984–2010. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393542
Panagia, Davide. 2013. “Why Film Matters to Political Theory.” Contemporary Political Theory 12 (1): 2–25. https://doi.org/10.1057/cpt.2012.4
Partovi, Pedram. 2013. “Review Essay.” Review of A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897–1941 and A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978, by Hamid Naficy. Iranian Studies 46(6): 1003–1010. https://doi.org/10.1080/00210862.2013.811382
Rancière, Jacques. 2004. Disagreement: Politics and Philosophy. Translated by Julie Rose. Minneapolis: University of Minnesota Press.
———. 2011. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso.
Said, Edward. 2000. Reflections on Exile and Other Essays. Cambridge, MA: Harvard University Press.
Published
2019-10-23
Issue
Section
Review Articles
How to Cite
Davari, A. (2019). Writing Iran from Exile: An Accented History. Comparative Islamic Studies, 13(1-2), 151-162. https://doi.org/10.1558/cis.39190
