Holst’s Savitri Libretto

Authors

  • Simon Brodbeck Cardiff University Author

DOI:

https://doi.org/10.1558/rosa.24408

Keywords:

Holst, māyā, opera, Orpheus, Satyavān, Sāvitrī

Abstract

This article focuses on the libretto (the words) of Gustav Holst’s one-act opera Savitri (opus 25, 1908), which is based on a story told in the Mahabharata. The article introduces Holst’s Savitri project biographically in the context of his love of India. It explores the question of what sources Holst used in preparing his libretto. It discusses Holst’s main departures from his source text(s): his removal of the
framing story, his featuring of the character Satyavan, and his introduction of the topic of maya. Historical reasons for Holst’s interest in maya are briefly explored. Finally, the article places Holst’s Savitri in the context of operatic history, reading it as a version of the story of Orpheus and Eurydice.

Author Biography

  • Simon Brodbeck, Cardiff University

    Simon Brodbeck is a reader in religious studies at Cardiff University

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Published

2022-12-24

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How to Cite

Brodbeck, S. (2022). Holst’s Savitri Libretto. Religions of South Asia, 16(2-3), 342–369. https://doi.org/10.1558/rosa.24408