The Cultural Matrix of the Online Hindutva Discourse in India

Authors

  • Avishek Ray National Institute of Technology Author

DOI:

https://doi.org/10.1558/rosa.18332

Keywords:

Balkanization, (Counter)Public Sphere, Digital Hindu, Digital India, Filter Bubble, Hindutva

Abstract

The promise of ‘Digital India’ has, on the one hand, supplied a new vocabulary of political participation, and, on the other hand, consolidated techniques of statist control. Taking off from here, this article examines the constituency of the Hindutva discourse online, and how the performativity of Hindutva reconfigures the digital public sphere. It seeks to understand: How do the ideologues of Hindutva territorialize certain online spaces? How does the Internet equip them with new imaginations and vocabulary of political partisanship? How does this provoke the political Other—the counterpublics—against which their identity is recast and amplified? These three questions constitute the central problematic of the article.

Author Biography

  • Avishek Ray, National Institute of Technology

    Avishek Ray is interested in intellectual histories. He is working on a monograph on the construct ‘vagabond’ and the convergence between the politics of itinerancy and that of dissent in South Asia. He has edited a Bangla anthology on religion and popular culture, and co-edited Nation, Nationalism and the Public Sphere: Religious Politics in India (SAGE 2020). He has held research fellowships at the University of Edinburgh (UK), Purdue University Library (USA), the Centre for Advanced Study, Sofia (Bulgaria), Mahidol University (Thailand) and Pavia University (Italy).

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Published

2021-02-10

Issue

Section

Articles

How to Cite

Ray, A. . (2021). The Cultural Matrix of the Online Hindutva Discourse in India. Religions of South Asia, 13(1), 99–113. https://doi.org/10.1558/rosa.18332