Buddhist Aesthetics?
DOI:
https://doi.org/10.1558/rosa.v8i1.83Keywords:
aesthetics, art, BuddhismAbstract
The Pali canon shows a largely negative view of visual art. In ancient Indian culture, beauty is associated with sexual attraction, and has an erotic overtone. Concern with beauty conflicts with the Buddhist ideal of detachment from worldly pleasures. On the other hand Buddhists have created wonderful works of art, and monks can be painters or dancers. Pictures and performances are made as expressions of devotion, and as means of acquiring merit, and most importantly to convey a Buddhist message.
References
de Silva, Rajendra H. 2009. Sigiriya Paintings. Nawala, Sri Lanka: R. H. de Silva.
Dutton, Denis. 2001. ‘Aesthetic Universals.’ In B. N. Gaut and D. M. Lopes (eds), Routledge Companion to Aesthetics: 203–14. London: Routledge. http://dx.doi.org/10.4324/9780203390795_chapter_22
Gombrich, R. 1966. ‘The Consecration of a Buddhist Image.’ Journal of Asian Studies 26(1): 23–36. http://dx.doi.org/10.2307/2051829
Gombrich, R. 1971. Precept and Practice. Oxford: Oxford University Press.
— 2009. What the Buddha Thought. London: Equinox.
Tolstoy, Leo. 1929 [1898]. ‘What is Art?’. In Aylmer Maude (trans.), Tolstóy Centenary Edition: XVIII, 65–312. London: Oxford University Press, 1929–1937.
Dutton, Denis. 2001. ‘Aesthetic Universals.’ In B. N. Gaut and D. M. Lopes (eds), Routledge Companion to Aesthetics: 203–14. London: Routledge. http://dx.doi.org/10.4324/9780203390795_chapter_22
Gombrich, R. 1966. ‘The Consecration of a Buddhist Image.’ Journal of Asian Studies 26(1): 23–36. http://dx.doi.org/10.2307/2051829
Gombrich, R. 1971. Precept and Practice. Oxford: Oxford University Press.
— 2009. What the Buddha Thought. London: Equinox.
Tolstoy, Leo. 1929 [1898]. ‘What is Art?’. In Aylmer Maude (trans.), Tolstóy Centenary Edition: XVIII, 65–312. London: Oxford University Press, 1929–1937.
Published
2014-08-22
Issue
Section
Articles
How to Cite
Gombrich, R. (2014). Buddhist Aesthetics?. Religions of South Asia, 8(1), 83-96. https://doi.org/10.1558/rosa.v8i1.83