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• Pauwke Berkers and Julian Schaap. 2018. 'Gender Inequality in Metal Music Production'

  Catherine Hoad

  172-174

  2019-12-04

• Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp.

  Don Conway-Long

  181-184

  2013-06-06

• Editorial introduction

  Catherine Hoad

  1–4

  2023-01-31

• Editorial Introduction

  Shelley Brunt, Oli Wilson

  5-7

  2018-12-29

• Keam, Glenda, and Tony Mitchell, eds. 2011. Home, Land and Sea: Situating Music in Aotearoa New Zealand. Auckland: Pearson. ISBN 978-1-44251-632-8 (pbk). 320 pp.

  Matthew Bannister

  95-97

  2012-11-20

• Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp

  Catherine Hoad

  77-78

  2017-05-03

• Editorial introduction

  Shelley Brunt, Oli Wilson

  5–7

  2020-09-22

• Overell, Rosemary. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. London: Palgrave Macmillan. ISBN 978-1-13740-676-7 (hbk). 211 pp.

  Dexter L. Thomas Jr

  183-184

  2017-03-03

• Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. 'Understanding Society through Popular Music'. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp.

  138-140

  2015-12-17

• Editorial Introduction

  Oli Wilson

  5-6

  2017-05-03

• Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp.

  Lauren Istvandity

  79-80

  2017-05-03

• The success of hopelessness the evolution of Korean indie music

  Hyunjoon Shin

  147-165

  2012-01-31

• Will you remember Notes on Neil Roberts Day and sites of community memory in Aotearoa punk and hardcore

  Lauren Deacon

  64–69

  2023-01-31

• Being a DJ in a time of zero social huddling Tales from a locked-down India

  Pradip Sarkar

  47–55

  2021-08-28