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• Liner notes An exploration of local print music journalism in Perth’s indie pop/rock music industry

  Christina Ballico

  71-86

  2015-12-17

• Musicians and the lifetime soundtrack Creation and perception of musically motivated autobiographical memories

  Lauren Istvandity

  48-67

  2017-05-03

• Melbourne popular music in the museum Locating the academy in the sonic city

  Marcus Breen

  124-143

  2017-03-03

• On Hillsong’s continued reign over the Australian contemporary congregational song genre

  Daniel Thornton

  164-182

  2017-03-03

• From punk to platforms The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’

  Jared Davis

  122-141

  2019-12-04

• Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians

  Oki Rahadianto Sutopo , Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo

  116-133

  2021-07-08

• Triangulations Musicalized drama, folklore and identity construction in Nakae Y?ji’s A Midsummer’s Okinawan Dream

  Henry Johnson

  7-28

  2017-05-03

• Not given lightly Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand

  Matthew Bannister

  40-67

  2020-09-22

• Human machine music an analysis of creative practices among Australian ‘live electronica’ musicians

  Barry Hill, Jon Fitzgerald

  161-180

  2013-06-06

• All the girls in town The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett

  Catherine Strong

  149-166

  2015-09-07

• Putting a premium on music Exploring the vinyl revival in the Philippines

  Monika E. Schoop

  8-31

  2018-12-29

• Ebbs and flows Women as musicians in Perth popular music, 1980s–1990s

  Laura Glitsos

  142-160

  2019-12-04

• Making metal work Working lives of metal musicians in Aotearoa/New Zealand

  Catherine Hoad, Ian Moore

  22–42

  2023-01-31

• An interview with Rebekah Duke Melbourne’s inner-northern live music venues and social scenes

  Samuel Charles Whiting

  121-131

  2015-12-17

• Electronic dance music, the rock myth, and authenticity

  John Gunders

  147-159

  2013-06-06

• Music festivals and regional development policy towards a festival ecology

  Chris Gibson

  140-157

  2014-01-30

• Tracing the lines of an electronic tattoo The covert operation of Melbourne techno

  Botond Vitos

  51-70

  2015-12-17

• Indigenizing a ‘canon’ The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs

  Julie Rickwood

  45-65

  2015-03-09

• ‘Lookin, searchin, seekin, findin’ A new beat

  Shelley Brunt, Oli Wilson, Catherine Strong

  105-111

  2015-09-07

• ‘Suck more piss’ how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity

  Paul Oldham

  120-139

  2014-01-30

• Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music

  Anthony Kwame Harrison

  29-48

  2012-11-20

• Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. 'Popular Music Industries and the State: Policy Notes'

  Emma-Jayne Reekie

  178-180

  2019-12-04

• An annotated interview with Beastwars Language, identity and place in New Zealand metal

  Jessica Kruk, Wesley C Robertson

  5–21

  2023-01-31

• Precarious scenes Fieldwork in Hong Kong through protest and pandemic

  Jonathan Chan

  135–143

  2021-12-21

• Editorial introduction

  Shelley Brunt, Oli Wilson

  91–95

  2021-12-21