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• Keam, Glenda, and Tony Mitchell, eds. 2011. Home, Land and Sea: Situating Music in Aotearoa New Zealand. Auckland: Pearson. ISBN 978-1-44251-632-8 (pbk). 320 pp.

  Matthew Bannister

  95-97

  2012-11-20

• Pauwke Berkers and Julian Schaap. 2018. 'Gender Inequality in Metal Music Production'

  Catherine Hoad

  172-174

  2019-12-04

• Michael E. Veal and E. Tammy Kim, eds. 2016. 'Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies'

  Nabeel Zuberi

  86-88

  2018-12-29

• Introduction

  Mark Evans, Denis Crowdy

  5-6

  2015-03-09

• Editorial Introduction

  Shelley Brunt, Oli Wilson

  5-7

  2018-12-29

• Editorial introduction

  Shelley Brunt, Oli Wilson

  5–7

  2020-09-22

• Will you remember Notes on Neil Roberts Day and sites of community memory in Aotearoa punk and hardcore

  Lauren Deacon

  64–69

  2023-01-31

• Åse Ottosson. 2016. 'Making Aboriginal Men and Music in Central Australia'

  Henry Johnson

  89-91

  2018-12-29

• Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018)

  Alison Blair

  92–98

  2020-09-22

• Sonic psychogeography A poetics of place in popular music in Aotearoa/New Zealand

  Tony Mitchell

  145-175

  2009-11-11

• WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA

  Tony Mitchell

  1-16

  2015-09-29

• Novak, David. 2013. Japanoise: Music at the Edge of Circulation. Durham NC: Duke University Press. ISBN 978-0-8223-5392-8 (pbk). 292 pp.

  Rosemary Overell

  19-

  2015-03-09

• Editorial Introduction

  Oli Wilson

  5-6

  2017-05-03

• Virtual Micronesia Performance and Participation in a Pacific Facebook Community

  Brian Diettrich

  52-70

  2016-06-06

• Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp.

  Jared Mackley-Crump

  175-177

  2017-10-03

• Barney, Katelyn, ed. 2014. Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. Melbourne: Lyrebird Press. ISBN 978-073403-777-0 (pbk). 202 pp.

  Jared Mackley-Crump

  91-93

  2016-06-06

• Editorial introduction

  Shelley Brunt, Oli Wilson

  93-94

  2017-10-03

• STRUGGLING TO MAKE OURSELVES HEARD Music, Radio and The Quota Debate

  Michael Pickering, Roy Shuker

  73-97

  2015-10-03

• Introduction

  Oli Wilson, Dan Bendrups, Donna Weston

  5-8

  2016-06-06

• AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand

  Sara Vui-Talitu

  78-88

  2015-10-06

• Introduction New Perspectives on Popular Music in Asia

  Shelley Brunt

  103-106

  2012-01-31

• ‘Sounding Japan’ traditional musical instruments, cultural nationalism and educational reform

  Henry Johnson

  11-32

  2011-09-23

• AOTEAROA SONGLINES

  Tony Mitchell

  68-75

  2015-10-04

• GORE GOLD GUITARS The Place of Country in New Zealand

  Dan Bendrups, Henry Johnson

  52-67

  2015-10-04

• SOUNDS LIKE US Popular Music and Cultural Nationalism in Aotearoa/New Zealand

  Nabeel Zuberi

  3-18

  2015-10-04