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• Cultural protectionism in a deregulated and diversifying broadcasting environment Getting more M?ori music on air

  Jennifer Cattermole

  67-87

  2015-03-09

• Liner notes An exploration of local print music journalism in Perth’s indie pop/rock music industry

  Christina Ballico

  71-86

  2015-12-17

• Not given lightly Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand

  Matthew Bannister

  40-67

  2020-09-22

• Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians

  Oki Rahadianto Sutopo , Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo

  116-133

  2021-07-08

• Triangulations Musicalized drama, folklore and identity construction in Nakae Y?ji’s A Midsummer’s Okinawan Dream

  Henry Johnson

  7-28

  2017-05-03

• Immersion and metal music videos Aspects of Maori culture in ‘Kai Tangata’ and ‘Hatupatu’

  Elise Girard-Despraulex

  43–63

  2023-01-31

• Making metal work Working lives of metal musicians in Aotearoa/New Zealand

  Catherine Hoad, Ian Moore

  22–42

  2023-01-31

• ‘There’s no music on a dead planet’ The role of Green Music Australia in climate change activism

  Julie Rickwood

  155-172

  2021-07-08

• All the girls in town The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett

  Catherine Strong

  149-166

  2015-09-07

• Popular music, cultural policy, and the Festival of Pacific Arts

  Dan Bendrups

  158-174

  2014-01-30

• An interview with King Kapisi, Awanui Reeder and Ryan Monga Riffing on Pacific festivals and the notion of 'Pacific music’

  Jared Mackley-Crump

  87-99

  2015-12-17

• Electronic dance music, the rock myth, and authenticity

  John Gunders

  147-159

  2013-06-06

• Rationales in flux Charting transcultural Polynesian music-making processes

  Andrew Faleatua

  107-121

  2019-12-04

• ‘Lookin, searchin, seekin, findin’ A new beat

  Shelley Brunt, Oli Wilson, Catherine Strong

  105-111

  2015-09-07

• The Necks at 25 a changing same?

  Tony Mitchell

  55-77

  2013-10-18

• Seleka’s profane potency Kava artists and rebellious music in Tonga

  Arcia Tecun , Taniela Petelo

  134-154

  2021-07-08

• Introduction policy and popular music

  Jennifer Cattermole, Martin Cloonan, Shane Homan

  95-99

  2014-01-30

• An annotated interview with Beastwars Language, identity and place in New Zealand metal

  Jessica Kruk, Wesley C Robertson

  5–21

  2023-01-31

• A sense of displacement Longing for past heritage in Olde Throne’s black metal

  Giordano Calvi

  70–80

  2023-01-31

• ‘Sing loud, break through the silence’ musical responses to the national apology to the Stolen Generations

  Katelyn Barney

  69-94

  2012-11-20

• Interview: Pasifika climate activist music in New Zealand, queered and disabled

  Kirsten Zemke, Luka Leleiga Lim-Cowley

  173-187

  2021-07-08

• An interview with Tiki Taane Expressing cultural heritage and identity through music

  Oli Wilson

  167-174

  2015-09-07

• The role of communication technologies between choreographer and composer during Aotearoa/New Zealand’s COVID-19 response

  Jesse Austin-Stewart, Jason Wright

  103–110

  2021-12-21

• Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp.

  Julie Rickwood

  91-93

  2015-03-09

• Introduction

  Shelley Brunt, Oli Wilson

  5-7

  2015-12-17