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• Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship

  Kimberly Kattari

  208-215

  2019-12-24

• Popular Music Studies and Interdisciplinarity

  Steve Waksman

  232-236

  2019-12-23

• Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean

  Samuel Dwinell

  271-282

  2015-11-05

• Brazilian Soul and Argentinian Jazz Style, Consumption and Racialized Identities in Argentina and Brazil

  Berenice Corti, Luciana Xavier de Oliveira

  191-208

  2017-12-06

• Some Notes on Popular Music in my (Professional) Life

  Bruno Nettl

  280-289

  2017-12-03

• From Home-Studios to Mobile Phones Recent Trends in Popular Music Recording and Sharing in Papua New Guinea

  Oli Wilson

  133-150

  2019-12-23

• From Here, There and Everywhere Recording Popular Music in the “Field”

  Brent Keogh

  31-50

  2020-10-13

• Samba and Choro in the Classroom Enculturation at Colégio Pedro II (São Cristóvão)

  Colin Harte

  10-30

  2020-10-13

• Agent of Bicultural Balance Ganma, Yothu Yindi and the Legacy of Yunupinu

  Aaron Corn

  12-45

  2014-09-05

• The Moral of the Story Making Ethnomusicology Matter in the Twenty-first Century

  Michael B. Bakan

  265-279

  2017-12-06

• Keynote: Party Music, Affect and the Politics of Modernity

  Jocelyne Guilbault

  173-192

  2019-12-23

• Relentless Denial Female Homosexuality in Tango

  Mercedes Liska

  209-225

  2017-12-06

• South African Dialogue

  Warrick Moses

  15-30

  2018-06-08

• Editors’ Introduction

  Simone Krüger Bridge, Sarah Baker, Raphaël Nowak

  137-140

  2017-12-06

• Sounds in the City Street Technology and Public Space - An Introduction

  Brian D’Aquino, Oana Pârvan

  5–15

  2021-08-13

• The “Schizophrenic Nation” Ethics of Critique in Morocco’s Post-Arab Spring Popular Music

  Kendra Salois

  88-107

  2018-06-08

• Editors’ Introduction

  Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett

  129-132

  2019-12-23

• Editors' Introduction

  Simone Krüger Bridge, Nicholas Tochka, Raphaël Nowak

  5-8

  2018-06-08

• Rainforest to Raves Ethnomusicological Forays into Popular Music

  Jeremy Wallach

  223-227

  2019-12-23

• Popular Music in the K-12 Classroom and the Quest for Education Justice

  Kathryn Metz

  237-242

  2019-12-23

• “The Pro Tooling of the World” Digital Music Production, Democracy and Environmentality

  Brent Keogh, Ian Collinson

  51-68

  2020-10-13

• The Roots of Digital Cumbia in Sound System Culture Sonideros, Villeros, and the Transformation of Colombian Cumbia

  Moses Iten

  77–101

  2021-08-13

• Editors’ Introduction

  Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett

  5-9

  2019-06-18

• Editors’ Introduction

  Simone Krüger Bridge, Nicholas Tochka

  143-146

  2018-12-28

• Should World Music Teachers Teach World Music? Popular Music and the World Music Survey Course

  Andrew Killick

  156-182

  2014-09-05

• Beyond the Digital Diaspora YouTube Methodologies, Online Networking and the Hmong Music Festival

  Lonán Ó Briain

  289-306

  2015-11-05

• Ethnography in Western Popular Music Research Revisited A Case Study and/as a Critique

  David Verbuč

  207–235

  2021-12-10

• Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music.

  Nasim Ahmadian

  255–259

  2021-12-10

• Rhyming Techniques and Identity in Korean Hip Hop

  Jinny Park

  145–167

  2021-02-15

• Selling Lokal Music A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea

  Oli Wilson

  51-71

  2014-09-05