Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes

Authors

  • Tom Sykes University of Salford

DOI:

https://doi.org/10.1558/jwpm.29612

Keywords:

cultural policy, identity, music industries

Abstract

Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk)

Author Biography

  • Tom Sykes, University of Salford

    Tom Sykes is an associate lecturer in music at the University of Salford.

References

Anderton, Chris, Andrew Dubber and Martin James. 2013. Understanding the Music Industries. London: Sage. https://doi.org/10.4135/9781473915008

Bennett, Andy and Richard A. Peterson. 2004. Music Scenes: Local, Translocal and Virtual. Nashville: Vanderbilt University Press.

David, Matthew. 2010. Peer to Peer and the Music Industry: The Criminalization of Sharing. London: Sage.

Hesmondhalgh, David. 2013. The Cultural Industries, 3rd edn. London: Sage.

Malm, Krister and Roger Wallis. 1992. Media Policy and Music Activity. Abingdon: Routledge. https://doi.org/10.4324/9780203408704

Downloads

Published

2017-07-02

Issue

Vol. 4 No. 1 (2017)

Section

Music Industries

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Sykes, T. (2017). Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. Journal of World Popular Music, 4(1), 48-51. https://doi.org/10.1558/jwpm.29612