Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk)

Authors

  • Daniel Wilson Anglia Ruskin University

DOI:

https://doi.org/10.1558/jwpm.v3i2.29509

Keywords:

affect, Australia, brutal belonging, extreme music, Japan, music scenes

Abstract

Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk)

References

Goodman, Steve. 2010. Sonic Warfare: Sound, Affect and the Ecology of Fear. Cambridge, MA: The MIT Press.

Hegarty, Paul. 2007. Noise/Music: A History. London: Continuum.

Novak, David. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822397540

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Published

2017-01-04

How to Cite

Wilson, D. (2017). Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk). Journal of World Popular Music, 3(2), 235–238. https://doi.org/10.1558/jwpm.v3i2.29509

Issue

Section

Asian Popular Music