Andrew Snyder. 2023. Critical Brass: Street Carnival and Musical Activism in Olympic Rio De Janeiro

Authors

  • Carolin Müller The Hebrew University of Jerusalem

DOI:

https://doi.org/10.1558/jwpm.31128

Keywords:

neofanfarrismo, brass music, activism, Rio de Janeiro

Abstract

Andrew Snyder. 2023. Critical Brass: Street Carnival and Musical Activism in Olympic Rio De Janeiro. Middletown, CT: Wesleyan University Press. 320 pp. ISBN 9780819500199 (pbk).

References

Adebisi, Oluwafemi Daniel. 2022. “Music and Activism in Nigeria: A Case Study of #EndSARS Movement”. PhD diss., State University of New York at Binghamton. https://www.proquest.com/docview/2692005619/abstract/FC05ADE014E42E6PQ/1.

Dave, Nomi. 2023. “Big Mouth: Amplified Feminism in Guinea”. Sound Studies 9/1: 1–21. https://doi.org/10.1080/20551940.2022.2133951

Goodman, Steve. 2010. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, MA: MIT Press.

Laqua, Daniel. 2018. “Rocking Against the Right: Political Activism and Popular Music in West Germany, 1979–1980”. History Workshop Journal 86 (October): 160–83. https://doi.org/10.1093/hwj/dby020

Müller, Carolin. 2021. “Whose Crisis Is It?: Embodied Resistance and Sonic Warfare”. AMP: American Music Perspectives 2/2: 184–97. https://doi.org/10.5325/ampamermusipers.2.2.0184

Rojas, Eunice, and Lindsay Michie. 2013. Sounds of Resistance: The Role of Music in Multicultural Activism. Santa Barbara, CA: Praeger.

Steingo, Gavin, and Jim Sykes. 2019. “Introduction: Remapping Sound Studies in the Global South”. In Remapping Sound Studies, edited by Gavin Steingo and Jim Sykes, 1–36. Durham, NC: Duke University Press.

Sweers, Britta. 2020. “Environmental Perception and Activism through Performance: Alpine Song and Sound Impressions”. European Journal of Musicology 18/1: 138–59. https://doi.org/10.5450/EJM.18.1.2019.138

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Published

2025-05-07

Issue

Section

Reviews

How to Cite

Müller, C. (2025). Andrew Snyder. 2023. Critical Brass: Street Carnival and Musical Activism in Olympic Rio De Janeiro. Journal of World Popular Music, 11(2), 193–198. https://doi.org/10.1558/jwpm.31128