Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry

Authors

  • Carolyn Chong Memorial University of Newfoundland

DOI:

https://doi.org/10.1558/jwpm.v3i1.27607

Keywords:

Sound recording industry, Native Americans, powwows, music and technology

Abstract

Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press. 368pp. ISBN 978-0-8223-5338-6 (pbk)

References

Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on Art and Literature, edited by Randal Johnson. New York: Columbia University Press.

Diamond, Beverley. 2005. “Media as Social Action: Native American Musicians in the Recording Studio”. In Wired for Sound: Engineering and Technologies in Sonic Cultures, edited by Paul Greene and Thomas Porcello, 118–37. Middletown, CT: Wesleyan University Press.

Geertz, Clifford. 1973. The Interpretation of Cultures: Selected Essays. New York: Basic Books.

Hall, Stuart, David Morley and Kuan-Hsing Chen. 1996. Stuart Hall: Critical Dialogues in Cultural Studies. New York and London: Routledge.

Meintjes, Louise. 2003. Sound of Africa! Making Music Zulu in a South African Studio. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822384632

Downloads

Published

2016-07-21

Issue

Section

Indigeneity and World Popular Music

How to Cite

Chong, C. (2016). Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Journal of World Popular Music, 3(1), 154-156. https://doi.org/10.1558/jwpm.v3i1.27607