Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry
DOI:
https://doi.org/10.1558/jwpm.v3i1.27607Keywords:
Sound recording industry, Native Americans, powwows, music and technologyAbstract
Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press. 368pp. ISBN 978-0-8223-5338-6 (pbk)
References
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Diamond, Beverley. 2005. “Media as Social Action: Native American Musicians in the Recording Studio”. In Wired for Sound: Engineering and Technologies in Sonic Cultures, edited by Paul Greene and Thomas Porcello, 118–37. Middletown, CT: Wesleyan University Press.
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Hall, Stuart, David Morley and Kuan-Hsing Chen. 1996. Stuart Hall: Critical Dialogues in Cultural Studies. New York and London: Routledge.
Meintjes, Louise. 2003. Sound of Africa! Making Music Zulu in a South African Studio. Durham, NC: Duke University Press. http://dx.doi.org/10.1215/9780822384632
