Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music & Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean
DOI:
https://doi.org/10.1558/jwpm.v2i2.27101Keywords:
area studies, Caribbean, gender, globalization, identity, tourismAbstract
Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music. Jamaica: University of the West Indies Press. 343pp. ISBN 978-9-76-640266-2 (pbk)
Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean. Oxford and New York: Oxford University Press, 2014. 322pp. ISBN 978-0-19-998886-0 (pbk)
References
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Balibar, Etienne. 2015. Citizenship. New York: Polity Press.
Bohlman, Philip V., ed. 2013. The Cambridge History of World Music. Cambridge: Cambridge University Press.
Brennan, Timothy. 2001. “World Music Does Not Exist”. Discourse 21/1: 44–62.
Brown, Wendy. 2010. Walled States, Waning Sovereignty. New York: Zone Books.
—2015. Undoing the Demos: Neoliberalism’s Stealth Revolution. New York: Zone Books.
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Davidov, Veronica. 2013. Ecotourism and Cultural Production: An Anthropology of Indigenous Spaces in Ecuador. New York: Palgrave Macmillan.
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—1999. Staging Tourism: Bodies on Display from Waikiki to Sea World. Chicago: University of Chicago Press.
Feld, Steven. 2000. “A Sweet Lullaby for World Music”. Public Culture 12/1: 145–71.
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Guilbault, Jocelyne. 1993. Zouk: World Music in the West Indies. Chicago: University of Chicago Press.
Hebdige, Dick. 1987. Cut ’n’ Mix: Culture, Identity and Caribbean Music. New York: Methuen.
Hellier, Ruth, ed. 2013. Women Singers in Global Contexts: Music, Biography, Identity. Illinois: University of Illinois Press.
Kheshti, Roshanak. 2011. “Touching Listening: The Aural Imaginary in the World Music Culture Industry”. American Quarterly 63/3: 711–31.
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Levitz, Tamara. 2012. “Introduction to ‘Musicology Beyond Borders?’ (Colloquy)”. Journal of the American Musicological Society 65/3: 821–25.
Lipsitz, George. 1999. “World Cities and World Beat: Low-wage Labor and Transnational Culture”. Pacific Historical Review 68/2: 213–31.
Lowe, Lisa. 2006. “The Intimacies of Four Continents”. In Haunted by Empire: Geographies of Intimacy in North American History, edited by Ann Laura Stoler, 191–212. Durham, NC: Duke University Press.
Madrid, Alejandro L. and Robin D. Moore. 2013. Danzón: Circum-Carribean Dialogues in Music and Dance. Oxford: Oxford University Press.
Manuel, Peter. 1993. Cassette Culture: Popular Music and Technology in North India. Chicago: Chicago University Press.
Manuel, Peter, Kenneth Bilby and Michael Largey. 2006. Caribbean Currents: Caribbean Music from Rumba to Reggae, rev. edn. Philadelphia: Temple University Press.
McGinley, Paige A. 2014. Staging the Blues: From Tent Shows to Tourism. Durham, NC: Duke University Press.
Mohanty, Chandra Talpade. 2003. Feminism without Borders: Decolonizing Theory, Practicing Solidarity. Durham, NC: Duke University Press.
Moore, Robin. 2010. Music in the Hispanic Caribbean: Experiencing Music, Expressing Culture. Oxford: Oxford University Press.
Mostafanezhad, Mary. 2014. Volunteer Tourism: Popular Humanitarianism in Neoliberal Times. Burlington, VT: Ashgate.
Niranjana, Tejaswini. 2006. Mobilizing India: Women, Music, and Migration between India and Trinidad. Durham, NC: Duke University Press.
Nyong’o, Tavia. 2014. “Afro-philo-sonic Fictions: Black Sound Studies after the Millennium”. Small Axe 18/2: 173–79.
Peddie, Ian. ed. 2011. Popular Music and Human Rights, vols 1 and 2. Burlington, VT: Ashgate.
Puar, Jasbir. 2002. “Circuits of Queer Mobility: Tourism, Travel, and Globalization”. GLQ: A Journal of Lesbian and Gay Studies 8/1-2: 101–37.
—2007. Terrorist Assemblages: Homonationalism in Queer Times. Durham, NC: Duke University Press.
Redmond, Shana L. 2013. Anthem: Social Movements and the Sound of Solidarity in the African Diaspora. New York: New York University Press.
Sassen, Saskia. 2014. Expulsions: Brutality and Complexity in the Global Economy. Cambridge, MA: Belknap Press.
Sheller, Mimi. 2012. Citizenship from Below: Erotic Agency and Caribbean Freedom. Durham, NC: Duke University Press.
Slaughter, Joseph. 2007. Human Rights, Inc.: The World Novel, Narrative Form, and International Law. New York: Fordham University Press.
Swarr, Amanda and Richa Nagar, eds. 2010. Critical Transnational Feminist Praxis. Albany, NY: State University of New York Press.
Taylor, Timothy. 1997. Global Pop: World Music, World Markets. New York: Routledge.
—2014. “Thirty Years of World Music”. Journal of World Popular Music 1/2: 192–200.
Tinsley, Omise’eke Natasha. 2010. Thiefing Sugar: Eroticism between Women in Caribbean Literature. Durham, NC: Duke University Press.
White, Bob W. 2012. “Rethinking Globalization through Music”. In Music and Globalization: Critical Encounters, edited by Bob W. White, 1–16. Indianapolis: Indiana University Press.
Allen, Jafari S. 2011. ¡Venceremos?: The Erotics of Black Self-making in Cuba. Durham, NC: Duke University Press.
Averill, Gage. 2008. “Ballad Hunting in the Black Republic: Alan Lomax in Haiti, 1936–37”. Caribbean Studies 36/2: 3–22.
Balibar, Etienne. 2015. Citizenship. New York: Polity Press.
Bohlman, Philip V., ed. 2013. The Cambridge History of World Music. Cambridge: Cambridge University Press.
Brennan, Timothy. 2001. “World Music Does Not Exist”. Discourse 21/1: 44–62.
Brown, Wendy. 2010. Walled States, Waning Sovereignty. New York: Zone Books.
—2015. Undoing the Demos: Neoliberalism’s Stealth Revolution. New York: Zone Books.
Byrd, Jodi A. 2011. The Transit of Empire: Indigenous Critiques of Colonialism. Minneapolis: University of Minnesota Press.
Cheah, Pheng. 2007. Inhuman Conditions: On Cosmopolitanism and Human Rights. Cambridge, MA: Harvard University Press.
Culler, Jonathan. 1988. “The Semiotics of Tourism”. In Culler, Framing the Sign: Criticism and its Institutions, 143–67. Norman, OK: University of Oklahoma Press.
Davidov, Veronica. 2013. Ecotourism and Cultural Production: An Anthropology of Indigenous Spaces in Ecuador. New York: Palgrave Macmillan.
Desmond, Jane C. 1997. Meaning in Motion: New Cultural Studies of Dance. Durham, NC: Duke University Press.
—1999. Staging Tourism: Bodies on Display from Waikiki to Sea World. Chicago: University of Chicago Press.
Feld, Steven. 2000. “A Sweet Lullaby for World Music”. Public Culture 12/1: 145–71.
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press.
Guilbault, Jocelyne. 1993. Zouk: World Music in the West Indies. Chicago: University of Chicago Press.
Hebdige, Dick. 1987. Cut ’n’ Mix: Culture, Identity and Caribbean Music. New York: Methuen.
Hellier, Ruth, ed. 2013. Women Singers in Global Contexts: Music, Biography, Identity. Illinois: University of Illinois Press.
Kheshti, Roshanak. 2011. “Touching Listening: The Aural Imaginary in the World Music Culture Industry”. American Quarterly 63/3: 711–31.
Koskoff, Ellen. 2013. “Afterword”. In Women Singers in Global Contexts, edited by Ruth Hellier, 213–25. Illinois: University of Illinois Press.
Levitz, Tamara. 2012. “Introduction to ‘Musicology Beyond Borders?’ (Colloquy)”. Journal of the American Musicological Society 65/3: 821–25.
Lipsitz, George. 1999. “World Cities and World Beat: Low-wage Labor and Transnational Culture”. Pacific Historical Review 68/2: 213–31.
Lowe, Lisa. 2006. “The Intimacies of Four Continents”. In Haunted by Empire: Geographies of Intimacy in North American History, edited by Ann Laura Stoler, 191–212. Durham, NC: Duke University Press.
Madrid, Alejandro L. and Robin D. Moore. 2013. Danzón: Circum-Carribean Dialogues in Music and Dance. Oxford: Oxford University Press.
Manuel, Peter. 1993. Cassette Culture: Popular Music and Technology in North India. Chicago: Chicago University Press.
Manuel, Peter, Kenneth Bilby and Michael Largey. 2006. Caribbean Currents: Caribbean Music from Rumba to Reggae, rev. edn. Philadelphia: Temple University Press.
McGinley, Paige A. 2014. Staging the Blues: From Tent Shows to Tourism. Durham, NC: Duke University Press.
Mohanty, Chandra Talpade. 2003. Feminism without Borders: Decolonizing Theory, Practicing Solidarity. Durham, NC: Duke University Press.
Moore, Robin. 2010. Music in the Hispanic Caribbean: Experiencing Music, Expressing Culture. Oxford: Oxford University Press.
Mostafanezhad, Mary. 2014. Volunteer Tourism: Popular Humanitarianism in Neoliberal Times. Burlington, VT: Ashgate.
Niranjana, Tejaswini. 2006. Mobilizing India: Women, Music, and Migration between India and Trinidad. Durham, NC: Duke University Press.
Nyong’o, Tavia. 2014. “Afro-philo-sonic Fictions: Black Sound Studies after the Millennium”. Small Axe 18/2: 173–79.
Peddie, Ian. ed. 2011. Popular Music and Human Rights, vols 1 and 2. Burlington, VT: Ashgate.
Puar, Jasbir. 2002. “Circuits of Queer Mobility: Tourism, Travel, and Globalization”. GLQ: A Journal of Lesbian and Gay Studies 8/1-2: 101–37.
—2007. Terrorist Assemblages: Homonationalism in Queer Times. Durham, NC: Duke University Press.
Redmond, Shana L. 2013. Anthem: Social Movements and the Sound of Solidarity in the African Diaspora. New York: New York University Press.
Sassen, Saskia. 2014. Expulsions: Brutality and Complexity in the Global Economy. Cambridge, MA: Belknap Press.
Sheller, Mimi. 2012. Citizenship from Below: Erotic Agency and Caribbean Freedom. Durham, NC: Duke University Press.
Slaughter, Joseph. 2007. Human Rights, Inc.: The World Novel, Narrative Form, and International Law. New York: Fordham University Press.
Swarr, Amanda and Richa Nagar, eds. 2010. Critical Transnational Feminist Praxis. Albany, NY: State University of New York Press.
Taylor, Timothy. 1997. Global Pop: World Music, World Markets. New York: Routledge.
—2014. “Thirty Years of World Music”. Journal of World Popular Music 1/2: 192–200.
Tinsley, Omise’eke Natasha. 2010. Thiefing Sugar: Eroticism between Women in Caribbean Literature. Durham, NC: Duke University Press.
White, Bob W. 2012. “Rethinking Globalization through Music”. In Music and Globalization: Critical Encounters, edited by Bob W. White, 1–16. Indianapolis: Indiana University Press.
Published
2015-11-05
Issue
Section
Popular Music in the Caribbean
How to Cite
Dwinell, S. (2015). Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music & Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean. Journal of World Popular Music, 2(2), 271-282. https://doi.org/10.1558/jwpm.v2i2.27101
