Angel Romero y Ruiz, World Music Central.org

Authors

  • Deborah Justice Syracuse University

DOI:

https://doi.org/10.1558/jwpm.v2i2.27030

Keywords:

World Music, Popular Music, Internet Resource, music industry

Abstract

Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org

Author Biography

  • Deborah Justice, Syracuse University

    Deborah Justice is the Schragis Postdoctoral Fellow in Popular Music in Syracuse University’s Department of Art and Music Histories. With a focus on North America, Deborah's work broadly explores perceived tensions between the new and the old, between pluralism and authenticity. Her research interests center on sacred musics (with a recent dissertation on sonic cosmopolitanism within mainline Protestantism), traditional musics in the modern world, and phenomenology in both musical experience and fieldwork. A practitioner as well as a scholar, Deborah has been playing hammered dulcimer for over twenty years in a variety of folk traditions from old-time to Irish to klezmer.

References

Brown, Robert A. and Dale E. Olsen. 1992. “World Music and Ethnomusicology—Two Views”. College Music Society Newsletter, May.

Manual, Peter. 1988. Popular Musics of the Non-Western World. New York and Oxford: Oxford University Press.

Myers, Helen. 1992. “Ethnomusicology”. In Ethnomusicology: An Introduction, edited by Helen Myers, 11. Norton/Grove Handbooks in Music. New York: W.W. Norton.

Reck, David. 1976. Music of the Whole Earth. New York: Charles Scribner’s Sons.

Titon, Jeff Todd. 1984. Worlds of Music: An Introduction to the Music of the World’s Peoples. New York: Schirmer.

Downloads

Published

2015-11-05

Issue

Vol. 2 No. 2 (2015)

Section

World Music

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Justice, D. (2015). Angel Romero y Ruiz, World Music Central.org. Journal of World Popular Music, 2(2), 180-185. https://doi.org/10.1558/jwpm.v2i2.27030