Noel Lobley. 2020. Sound Fragments: From Field Recording to African Electronic Stories

Authors

  • Perminus Matiure University of Namibia

DOI:

https://doi.org/10.1558/jwpm.26759

Keywords:

sound recordings, International Library of African Music (ILAM), fragments, intangible materials

Abstract

Noel Lobley. 2020. Sound Fragments: From Field Recording to African Electronic Stories. Middletown, CT: Wesleyan University Press. 348 pp. ISBN 9780819580771 (pbk).

References

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Dunitz, Robin. J. 1985. Interactive Museums. Media and Methods 21/8: 8–11.

Istvandity, Lauren. 2021. “How Does Music Heritage Get Lost? Examining Cultural Heritage Loss in Community and Authorised Music Archives”. International Journal of Heritage Studies 27/4: 331–43. https://doi.org/10.1080/13527258.2020.1795904

Kyker, Jennifer W. 2016. Oliver Mtukudzi: Living Tuku Music in Zimbabwe. Bloomington: Indiana University Press. https://doi.org/10.2307/j.ctt2005wf4

Matiure, Perminus. 2019. “Fostering Sustainability of Musical Heritage through the ‘Interactive Museum System’”. The Dyke 13/1: 135–43.

Sankofa, Nicole. 2023. “Participatory Thick Descriptions: A Collaborative and Reflective Approach”. Qualitative Research in Psychology 20/1: 100–120. https://doi.org/10.1080/14780887.2022.2090469

Wei, Rukuan and Haixin Li. 2023. “Research on the Source of Contemporary Music Creation in the Context of Chinese Folk Music”. Highlights in Art and Design 4/2: 5–6. https://doi.org/10.54097/hiaad.v4i2.12152

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Published

2024-01-03

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How to Cite

Matiure, P. (2024). Noel Lobley. 2020. Sound Fragments: From Field Recording to African Electronic Stories. Journal of World Popular Music, 10(2), 242–246. https://doi.org/10.1558/jwpm.26759