Dalibor Mišina. 2013. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique

Authors

  • Catherine Baker University of Hull

DOI:

https://doi.org/10.1558/jwpm.v1i2.17762

Keywords:

historical sociology, rock music, Yugoslavia, socio-political engagement

Abstract

Dalibor Mišina. 2013. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Farnham: Ashgate. 258pp. ISBN 978-1-4094-4565-4 (hbk)

Author Biography

  • Catherine Baker, University of Hull

    Catherine Baker is Lecturer of 20th Century History at the University of Hull. She is the author of Sounds of the Borderland: Popular Music, War and Nationalism in Croatia since 1991 (Ashgate, 2010) and the co-author, with Michael Kelly, of Interpreting the Peace: Peace Operations, Conflict and Language in Bosnia-Herzegovina (Palgrave Macmillan, 2013). Her articles have appeared in Slavic Review, History Workshop Journal, and elsewhere.

References

Yurchak, Alexei. 2005. Everything was Forever, Until It Was No More: The Last Soviet Generation. Princeton, NJ: Princeton University Press.

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Published

2015-03-04

Issue

Vol. 1 No. 2 (2014)

Section

Genre

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Baker, C. (2015). Dalibor Mišina. 2013. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Journal of World Popular Music, 1(2), 308-311. https://doi.org/10.1558/jwpm.v1i2.17762